Not on view
Date
2022
Classification
Photographs
Medium
Forty chemigrams mounted on board
Dimensions
Overall: 35 5/8 × 63 1/2 in. (90.5 × 161.3 cm)
Mount (board): 35 5/8 × 63 1/2 in. (90.5 × 161.3 cm)
Accession number
2023.105a-nn
Edition
Unique
Credit line
Purchase, with funds from the Photography Committee
Rights and reproductions
© Dakota Mace
Exhibitions
Installation photography
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Installation view of Trust Me (Whitney Museum of American Art, New York, August 19, 2023-February 2024). From left to right: Moyra Davey, Trust Me, 2011; Laura Aguilar, Nature Self Portrait #6, 1996; Dakota Mace, Béésh Łigaii II, 2022; Genesis Báez, Crossing Time, 2022; Alvin Baltrop, The Piers (collapsed architecture, couple buttfucking), 1979; Barbara Hammer, Barbara & Terry, 1972; Laura Aguilar, Plush Pony #2, 1992; Lola Flash, Untitled, Provincetown, MA, 1990; D'Angelo Lovell Williams, Elysian, 2018; Lee Mary Manning, His Estate, 2022; Jenny Calivas, Self-Portrait While Buried #12, 2021; Jenny Calivas, Self-Portrait While Buried #16, 2021; Genesis Báez, The Sound of a Circle, 2018. Photograph by Ron Amstutz
From the exhibition Trust Me
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Installation view of Trust Me (Whitney Museum of American Art, New York, August 19, 2023-February 2024). From left to right: Lola Flash, 4 ray, 1991; Muriel Hasbun, X post facto (6.7), 2009-13, printed 2009-13; Dakota Mace, Béésh Łigaii II, 2022; Genesis Báez, Crossing Time, 2022. Photograph by Ron Amstutz
From the exhibition Trust Me
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Installation view of Trust Me (Whitney Museum of American Art, New York, August 19, 2023-February 2024). From left to right: Moyra Davey, Trust Me, 2011; Dakota Mace, Béésh Łigaii II, 2022; Genesis Báez, Crossing Time, 2022; Alvin Baltrop, The Piers (collapsed architecture, couple buttfucking), 1979; Barbara Hammer, Barbara & Terry, 1972; Laura Aguilar, Plush Pony #2, 1992; Lola Flash, Untitled, Provincetown, MA, 1990; D'Angelo Lovell Williams, Elysian, 2018; Lee Mary Manning, His Estate, 2022; Jenny Calivas, Self-Portrait While Buried #12, 2021; Jenny Calivas, Self-Portrait While Buried #16, 2021; Genesis Báez, The Sound of a Circle, 2018. Photograph by Ron Amstutz
From the exhibition Trust Me