Sunrise

Sunset

A 30-second online art project:

Peter Burr, Sunshine Monument

Learn more

Learn more at whitney.org/artport

Skip to main content

Danielle Dean

2.00. a.m
2021

Not on view

Date
2021

Classification
Paintings

Medium
Watercolor on paper

Dimensions
Overall: 50 7/8 × 88 3/8in. (129.2 × 224.5 cm)

Accession number
2022.197

Credit line
Whitney Museum of American Art, New York; purchase, with funds from Kathleen O’Grady, the Drawing and Print Committee, and Stephen Dull

Rights and reproductions
© Danielle Dean

API
artworks/65688

Visual Description

Danielle Dean’s 2.00. a.m. (2021) is a watercolor on paper measuring 48 × 84 inches (121.92 × 213.36 cm). 

 This painting by Danielle Dean is a large-scale imaginary landscape bathed in moonlight. The viewer is placed in the position of looking over large rocks placed in the center foreground of the painting. From the upper left corner green palm leaves drift in the night sky. Beyond the rocks enframed by the palm leaves lies a valley of rough terrain in which an office workspace is located.

 In this first layer of rocky terrain, you can see a sort of workspace that has three computers, two computer screens and one laptop and an open chair. There's no one there, but the screens are on. And, actually, the first screen is a depiction of Amazon Mechanical Turk website, so the work that the person may be doing, and then there is an image of the whole landscape that you see, but reduced in size on the screen. 

 In the foreground is a sandy area that is the top of a cliff with a small dog sitting on top of it. A stick lies near the animal. The dog is turned away from the viewer and gazes into the distance.

 Moving into the center area of the painting beyond the valley of the desolate office space is an area of trees, the colors of autumn leaves. To the right of the foliage is a large, jagged boulder. Beyond the trees and the boulder are rows and rows of data servers. Silvery and geometrically organized they recede into the distance meeting a river overlooked by midnight blue cliffs. Boats drift on the water - a bridge spans the river.

 And hovering above a cliffs and is an alien spaceship. Beyond the alien spaceship is a flat city with lights. And then beyond that is more mountains, and you can see the night sky, the stars, and a kind of dramatic lightning-like moon. 

 This work is from a series based on elements of Ford car ads from different time periods. The artist removes most people and cars from the ads in order to empahsize the fantasy created by the landscape. 

 In all of the ads, there's people and cars, but I always take the people out and I always take the cars out, but I like to leave the animals. So that's why there's a little dog there.