A richly decorated fur headdress bursts with colorful flowers, beads, and radiant paint splashes.

Firelei Báez

Untitled (Tabula Anemographica seu Pyxis Navtic)

2021

Not on view

1 work in the collection
1 exhibition

View more by this artist https://whitney.org/collection/works/65601

Classification
Paintings

Medium
Acrylic and oil on archival printed canvas

Dimensions
Overall: 89 7/8 × 111 7/8 × 1 1/2 in. (228.3 × 284.2 × 3.8 cm)

Accession number
2022.104

Credit line
Purchase, with funds from Chrissy Taylor and Lee Broughton

API
artworks/65601

Exhibitions

Shifting Landscapes

Nov 1, 2024–Jan 25, 2026

Installation photography

Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 25, 2026). From left to right: Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021; David Benjamin Sherry, Manorathadayakas, 2008; rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017. Photograph by Ron Amstutz

From the exhibition Shifting Landscapes
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: María Berrío, A Universe of One, 2018; Donna Huanca, GUERRERA PROTECTORA (pacha), 2021; Alison Saar, Fall, 2011; Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021. Photograph by Ron Amstutz

From the exhibition Shifting Landscapes
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021; Martine Gutierrez, Demons, Xochipilli 'The Flower Prince,' p91 from Indigenous Woman, 2018, printed 2020; rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017. Photograph by Ron Amstutz

From the exhibition Shifting Landscapes
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Martha Jane Pettway, Sweep, 1980; Purvis Young, Overtown, 1988; Lonnie Holley, Untitled, 1995; Purvis Young, Ants and the Establishment, c. 1980-85; Bessie Harvey, Cross Bearers, 1993; Joe Minter, The First Fireplace, 1998; Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021. Photograph by Ron Amstutz

From the exhibition Shifting Landscapes