Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021. Acrylic and oil on archival printed canvas, overall: 89 7/8 × 111 7/8 × 1 1/2 in. (228.3 × 284.2 × 3.8 cm). Whitney Museum of American Art, New York; purchase, with funds from Chrissy Taylor and Lee Broughton 2022.104. © Firelei Báez
Not on view
Date
2021
Classification
Paintings
Medium
Acrylic and oil on archival printed canvas
Dimensions
Overall: 89 7/8 × 111 7/8 × 1 1/2 in. (228.3 × 284.2 × 3.8 cm)
Accession number
2022.104
Credit line
Purchase, with funds from Chrissy Taylor and Lee Broughton
Rights and reproductions
© Firelei Báez
Exhibitions
Installation photography
-
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 25, 2026). From left to right: Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021; David Benjamin Sherry, Manorathadayakas, 2008; rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
-
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: María Berrío, A Universe of One, 2018; Donna Huanca, GUERRERA PROTECTORA (pacha), 2021; Alison Saar, Fall, 2011; Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
-
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021; Martine Gutierrez, Demons, Xochipilli 'The Flower Prince,' p91 from Indigenous Woman, 2018, printed 2020; rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
-
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Martha Jane Pettway, Sweep, 1980; Purvis Young, Overtown, 1988; Lonnie Holley, Untitled, 1995; Purvis Young, Ants and the Establishment, c. 1980-85; Bessie Harvey, Cross Bearers, 1993; Joe Minter, The First Fireplace, 1998; Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes