Judy Chicago, Trinity (Outdoor Version), 1965/2019. Matthews polyurethane paint on stainless steel, overall: 63 3/8 × 127 1/4 × 60 in. (161 × 323.2 × 152.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2022.45a-c. © Judy Chicago / Artists Rights Society, New York
Not on view
Date
1965/2019
Classification
Sculpture
Medium
Matthews polyurethane paint on stainless steel
Dimensions
Overall: 63 3/8 × 127 1/4 × 60 in. (161 × 323.2 × 152.4 cm)
Accession number
2022.45a-c
Edition
2/3 | 1 AP and 1 Foundation Proof
Credit line
Purchase, with funds from the Painting and Sculpture Committee
Rights and reproductions
© Judy Chicago / Artists Rights Society, New York
Exhibitions
Installation photography
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: David Novros, No Title, 1969; Alvin Loving, Rational Irrationalism, 1969; Lynda Benglis, Contraband, 1969; Dorothea Rockburne, Balance, 1985; Mary Ann Unger, Water Spout, 1980-81; Jane Kaufman, Untitled, 1969; Judy Chicago, Trinity (Outdoor Version), 1965/2019. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Dorothea Rockburne, Balance, 1985; Mary Ann Unger, Water Spout, 1980-81; Jane Kaufman, Untitled, 1969; Judy Chicago, Trinity (Outdoor Version), 1965/2019. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Lynda Benglis, Contraband, 1969; Mary Ann Unger, Water Spout, 1980-81; Jane Kaufman, Untitled, 1969; Judy Chicago, Trinity (Outdoor Version), 1965/2019; Tishan Hsu, Outer Banks of Memory, 1984; Kay Walking Stick, Gray Apron, 1974. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Lynda Benglis, Contraband, 1969; Jane Kaufman, Untitled, 1969; Judy Chicago, Trinity (Outdoor Version), 1965/2019; Tishan Hsu, Outer Banks of Memory, 1984. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Judy Chicago, Trinity (Outdoor Version), 1965/2019; Tishan Hsu, Outer Banks of Memory, 1984. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
-
Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Lynda Benglis, Contraband, 1969; Judy Chicago, Trinity (Outdoor Version), 1965/2019; Tishan Hsu, Outer Banks of Memory, 1984; Kay WalkingStick, Gray Apron, 1974; Freddy Rodriguez, Y me quedé sin nombre, 1974. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Lynda Benglis, Contraband, 1969; Dorothea Rockburne, Balance, 1985; Mary Ann Unger, Water Spout, 1980-81; Jane Kaufman, Untitled, 1969; Judy Chicago, Trinity (Outdoor Version), 1965/2019. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
-
Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). Judy Chicago, Trinity (Outdoor Version), 1965/2019. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985