Teresita Fernández, Fire (America) 3, 2016. Glazed ceramic, overall: 72 × 144 × 1 1/4 in. (182.9 × 365.8 × 3.2 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2021.19a-c. © Teresita Fernández
Not on view
Date
2016
Classification
Installations
Medium
Glazed ceramic
Dimensions
Overall: 72 × 144 × 1 1/4 in. (182.9 × 365.8 × 3.2 cm)
Accession number
2021.19a-c
Credit line
Purchase, with funds from the Painting and Sculpture Committee
Rights and reproductions
© Teresita Fernández
Exhibitions
Installation photography
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 25, 2026). Left wall, clockwise from top left: Robert Adams, Colorado, c. 1968-72; Robert Adams, Colorado Springs, Colorado, 1979, print date unknown; Robert Adams, Sheridan Boulevard, Lakewood, c. 1970; Robert Adams, Untitled, 1968-72; Robert Adams, Untitled, n.d.; Robert Adams, Untitled, 1968-72; Robert Adams, Colorado Springs, 1970; Robert Adams, Colorado, c. 1973; From left to right: Amalia Mesa-Bains, Cihuateotl with Hand Mirror from Venus Envy Chapter III: Cihuatlampa, the Place of theGiant Women, 1997-2022; Guadalupe Maravilla, Requiem for my border crossing (Collaborative drawing between the undocumented) #12, 2018; Teresita Fernández, Fire (America) 3, 2016. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). Left wall, clockwise from top left: Robert Adams, Motel, Colorado Springs, 1969, printed c. 1970; Robert Adams, Along Interstate 25, Eden, Colorado, 1968; Robert Adams, Colorado, c. 1973; Robert Adams, Colorado, c. 1970; Robert Adams, Outdoor Theater, Colorado Springs, Colorado, 1968-71; Robert Adams, Colorado, c. 1973; Robert Adams, Longmont, Colorado, c. 1973; Robert Adams, Interstate 25, north edge of Denver, Colorado, 1973-74. From left to right: Teresita Fernández, Fire (America) 3, 2016; Anita Steckel, NY Skyline on Canvas #1 (Woman Pressing Finger Down), c. 1970-74. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Patrick Martinez, Migration Is Natural, 2019, fabricated 2021; Leslie Martinez, A Sublime Concealment of Time, 2023; Amalia Mesa-Bains, Cihuateotl with Hand Mirror from Venus Envy Chapter III: Cihuatlampa, the Place of the Giant Women, 1997-2022; Maya Lin, Ghost Forest Baseline Y, 2022; Carlos Villa, My Roots, 1970-71; Suzanne Jackson, It is our woods, 1973; Luis Jimenez, Sidewinder, 1988; Guadalupe Maravilla, Requiem for my border crossing and my undocumented father's #6, 2016-18; Teresita Fernández, Fire (America) 3, 2016. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes