On view
Floor 6
Date
2017
Classification
Sculpture
Medium
Wood, bailing wire, adobe (Omaha dirt, Elysian Park, Los Angeles dirt, horse dung, hay, water) scorched twigs, condom wrappers, glass shard, synthetic and agave fiber rope, dry roots, acrylic paint
Dimensions
Overall: 48 × 96 1/8 × 4 3/4 in. (121.9 × 244.2 × 12.1 cm)
Accession number
2020.100
Credit line
Purchase, with funds from the Painting and Sculpture Committee
Rights and reproductions
© rafa esparza
Exhibitions
Installation photography
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 25, 2026). From left to right: Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021; David Benjamin Sherry, Manorathadayakas, 2008; rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017; Theo Triantafyllidis, BugSim (Pheromone Spa), 2023; Mundo Meza, Merman with Mandolin, 1984. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Firelei Báez, Untitled (Tabula Anemographica seu Pyxis Navtic), 2021; Martine Gutierrez, Demons, Xochipilli 'The Flower Prince,' p91 from Indigenous Woman, 2018, printed 2020; rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: rafa esparza, New American Landscapes. Self Portrait: Catching Feelings (Ecstatic), 2017; Ulysses Jenkins, Without Your Interpretation, 1983; Purvis Young, Angel, City, and Eye Assemblage, c. 1990-95; Arch Connelly, Personal Explosion, 1984; Arch Connelly, Leaf, 1982; Dalton Gata, I Don't Need You To Be Warm, 2021. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes