Maren Hassinger, Daily Mask, 1997–2004. 16mm film, color, sound, 3:32 min., transferred to video, aspect Ratio: 4:3. Whitney Museum of American Art, New York; purchase, with funds from the Film and Video Committee 2020.77. © Maren Hassinger
Not on view
Date
1997–2004
Classification
Installations
Medium
16mm film, color, sound, 3:32 min., transferred to video
Dimensions
Aspect Ratio: 4:3
Accession number
2020.77
Edition
2/3 | 2 APs
Credit line
Purchase, with funds from the Film and Video Committee
Rights and reproductions
© Maren Hassinger
Exhibitions
Installation photography
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Installation view of What It Becomes (Whitney Museum of American Art, New York, August 24, 2024-January 12, 2025). From left to right: Rick Bartow, Autobiographical Hawk, 1991; Maren Hassinger, Daily Mask, 1997-2004; Naotaka Hiro, Untitled (Whirlwind), 2018; Naotaka Hiro, Untitled (5432112345), 2018. Photograph by Ron Amstutz
From the exhibition What It Becomes
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Installation view of What It Becomes (Whitney Museum of American Art, New York, August 24, 2024-January 12, 2025). From left to right: clockwise from top left: Blythe Bohnen, Self Portrait: Horizontal Motion Bisected by Vertical Motion, 1974; Blythe Bohnen, Pivotal Motion From Chin, Large, 1974; Blythe Bohnen, Pivotal Motion, Small, Vertical Motion, Small, 1983; Blythe Bohnen, Horizontal Motion Large, Bisected by Vertical Motion, Large, 1974; Blythe Bohnen, Horizontal Circular Motion, Small, 1974; Blythe Bohnen, Square Motion, Small, 1974; Rick Bartow, Autobiographical Hawk, 1991; Maren Hassinger, Daily Mask, 1997-2004; Darrel Ellis, Self-Portrait after photograph by Robert Mapplethorpe, 1989; Jim Hodges, Untitled, 1992; David Hammons, Close Your Eyes and See Black, 1969; Catherine Opie, Self-Portrait/Cutting, 1993; Toyin Ojih Odutola, The Treatment 20, 2015; Wendy Red Star, Déaxitchish / Pretty Eagle, 2014. Photograph by Ron Amstutz
From the exhibition What It Becomes