Two seated people, a white person in glasses and a Black person with a mustache, photograph their reflections with different size cameras

Ariel Goldberg

Camera Lesson

2018

Not on view

2 works in the collection
1 exhibition

View more by this artist https://whitney.org/collection/works/62093

Classification
Photographs

Medium
Inkjet print

Dimensions
Sheet (sight): 23 5/8 × 19 5/8 in. (60 × 49.8 cm)

Accession number
2020.6

Series
Studio

Edition
1/5

Credit line
Purchase, with funds from the Photography Committee

API
artworks/62093

Exhibitions

Whitney Biennial 2019

May 17–Oct 27, 2019

Installation photography

Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019). From left to right: Paul Mpagi Sepuya, Drop Scene (0X5A1987), 2018; Agustina Woodgate, National Times, 2016/2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Dark Silhouette: Harmonious Union, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Worker Fragment: Gleam, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Paul Mpagi Sepuya and Ariel Goldberg, Camera Lesson (_2210485), 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Ariel Goldberg, Camera Lesson, 2018. Photograph by Ron Amstutz

From the exhibition Whitney Biennial 2019
Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019). From left to right: Eric N. Mack, (Easter) The Spring / The Holy Ground, 2018; Matthew Angelo Harrison, Dark Silhouette: Traversed Vision, 2019; Matthew Angelo Harrison, Dark Silhouette: Harmonious Union, 2019; Paul Mpagi Sepuya, Camera Lesson (_2210485), 2018; Ariel Goldberg, Camera Lesson, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Giancarlo Montes, Improvising Sight Lines, 2018; Matthew Angelo Harrison, Worker Fragment: Gleam, 2019; Giancarlo Montes, Improvising Sight Lines, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Peter Tomka, Friday, May 25, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Paul Mpagi Sepuya and A.L. Steiner, Darkroom Mirror Portrait (_1000510), 2018. Photograph by Ron Amstutz

From the exhibition Whitney Biennial 2019
Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019). From left to right: Paul Mpagi Sepuya and Ariel Goldberg, Camera Lesson (_2210485), 2018; Ariel Goldberg, Camera Lesson, 2018; Giancarlo Montes, Improvising Sight Lines, 2018; Giancarlo Montes, Imporivising Sight Lines, 2018; Giancarlo Montes, Improvising Sight Lines, 2018; Peter Tomka, Friday, May 25, 2018; Paul Mpagi Sepuya and A.L. Steiner, Darkroom Mirror Portrait (_1000510), 2018; James Garcia, Untitled, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Dark Silhouette: Traversed Vision, 2019; Matthew Angelo Harrison, Worker Fragment: Gleam, 2019; Paul Mpagi Sepuya and Clay Kerrigan, Camera Lesson (_2210510), 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Keegan Monaghan, Incoming, 2016-17; Matthew Angelo Harrison, Dark Silhouette: Harmonious Union, 2019; Keegan Monaghan, Outside, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019. Photograph by Ron Amstutz

From the exhibition Whitney Biennial 2019