Ariel Goldberg, Camera Lesson, 2018. Inkjet print, sheet (sight): 23 5/8 × 19 5/8 in. (60 × 49.8 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 2020.6. © Ariel Goldberg
Not on view
Date
2018
Classification
Photographs
Medium
Inkjet print
Dimensions
Sheet (sight): 23 5/8 × 19 5/8 in. (60 × 49.8 cm)
Accession number
2020.6
Series
Studio
Edition
1/5
Credit line
Purchase, with funds from the Photography Committee
Rights and reproductions
© Ariel Goldberg
Exhibitions
Installation photography
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Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019). From left to right: Paul Mpagi Sepuya, Drop Scene (0X5A1987), 2018; Agustina Woodgate, National Times, 2016/2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Dark Silhouette: Harmonious Union, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Worker Fragment: Gleam, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Paul Mpagi Sepuya and Ariel Goldberg, Camera Lesson (_2210485), 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Ariel Goldberg, Camera Lesson, 2018. Photograph by Ron Amstutz
From the exhibition Whitney Biennial 2019
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Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019). From left to right: Eric N. Mack, (Easter) The Spring / The Holy Ground, 2018; Matthew Angelo Harrison, Dark Silhouette: Traversed Vision, 2019; Matthew Angelo Harrison, Dark Silhouette: Harmonious Union, 2019; Paul Mpagi Sepuya, Camera Lesson (_2210485), 2018; Ariel Goldberg, Camera Lesson, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Giancarlo Montes, Improvising Sight Lines, 2018; Matthew Angelo Harrison, Worker Fragment: Gleam, 2019; Giancarlo Montes, Improvising Sight Lines, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Peter Tomka, Friday, May 25, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Paul Mpagi Sepuya and A.L. Steiner, Darkroom Mirror Portrait (_1000510), 2018. Photograph by Ron Amstutz
From the exhibition Whitney Biennial 2019
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Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019). From left to right: Paul Mpagi Sepuya and Ariel Goldberg, Camera Lesson (_2210485), 2018; Ariel Goldberg, Camera Lesson, 2018; Giancarlo Montes, Improvising Sight Lines, 2018; Giancarlo Montes, Imporivising Sight Lines, 2018; Giancarlo Montes, Improvising Sight Lines, 2018; Peter Tomka, Friday, May 25, 2018; Paul Mpagi Sepuya and A.L. Steiner, Darkroom Mirror Portrait (_1000510), 2018; James Garcia, Untitled, 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Matthew Angelo Harrison, Dark Silhouette: Traversed Vision, 2019; Matthew Angelo Harrison, Worker Fragment: Gleam, 2019; Paul Mpagi Sepuya and Clay Kerrigan, Camera Lesson (_2210510), 2018; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019; Keegan Monaghan, Incoming, 2016-17; Matthew Angelo Harrison, Dark Silhouette: Harmonious Union, 2019; Keegan Monaghan, Outside, 2019; Matthew Angelo Harrison, Dark Silhouette: Remnant for Disruption, 2019. Photograph by Ron Amstutz
From the exhibition Whitney Biennial 2019