Troy Michie, Yo Soy Un Puente Tendido / This Is My Home, 2019. Cut paper, tape, canvas, papier-mâché, towel, cut clothing, ink, graphite pencil, wax crayon, and acrylic on woven magazine pages, overall (irregular): 61 1/4 × 52 1/2 in. (155.6 × 133.4 cm). Whitney Museum of American Art, New York; purchase, with funds from Liz and Jonathan Goldman and Robert Lowinger 2021.8. © Troy Michie
Not on view
Date
2019
Classification
Paintings
Medium
Cut paper, tape, canvas, papier-mâché, towel, cut clothing, ink, graphite pencil, wax crayon, and acrylic on woven magazine pages
Dimensions
Overall (irregular): 61 1/4 × 52 1/2 in. (155.6 × 133.4 cm)
Accession number
2021.8
Credit line
Purchase, with funds from Liz and Jonathan Goldman and Robert Lowinger
Rights and reproductions
© Troy Michie
Exhibitions
Installation photography
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Nancy Holt, Locator (Studio Corner), 1971; Gordon Matta-Clark, Tree Dance, 1971; Jenny Calivas, Self-Portrait While Buried #16, 2021, printed 2023; Jenny Calivas, Self-Portrait While Buried #1, 2019, printed 2023; Laura Aguilar, Three Eagles Flying, 1990; Amalia Mesa-Bains, Cihuateotl with Hand Mirror from Venus Envy Chapter III: Cihuatlampa, the Place of the Giant Women, 1997-2022; Michael Joo, Salt Transfer Cycle, 1994; Maya Lin, Ghost Forest Baseline Y, 2022; Troy Michie, Yo Soy Un Puente Tendido / This Is My Home, 2019; Carolina Caycedo, Rio Ribeira, 2016; Carolina Caycedo, The Binding/El amarre, 2017. Photograph by Ron Amstutz
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Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019). From left to right: Walter Price, The things that horse ourselves for uncertainty, 2018; Joe Minter, The First Fireplace, 1998; Joe Minter, Lightening the Load, 2004; Walter Price, Sit some to the side for the shell end, 2018; Walter Price, Everything’s connected, 2018; Walter Price, Upgrayyed, 2018; Joe Minter, ’63 Foot Soldiers, 1999; Troy Michie, Hung Out To Dry / The Land Was Mexican Once, 2019; Troy Michie, Yo Soy Un Puente Tendido / This Is My Home, 2019; Joe Minter, Three Flying Saucers, 2000; Troy Michie, Los Atravesados / The Skin Of The Earth Is Seamless, 2019. Photograph by Ron Amstutz
From the exhibition Whitney Biennial 2019