Barbara Hammer, Barbara & Terry, 1972. Gelatin silver print on board, sheet: 9 1/8 × 7 in. (23.2 × 17.8 cm) Image: 9 1/8 × 7 in. (23.2 × 17.8 cm) Mount: 10 1/2 × 10 1/4 × 1/8 in. (26.7 × 26 × 0.3 cm). Whitney Museum of American Art, New York; purchase, with funds from the Director's Discretionary Fund 2018.149. © Barbara Hammer
Not on view
Date
1972
Classification
Photographs
Medium
Gelatin silver print on board
Dimensions
Sheet: 9 1/8 × 7 in. (23.2 × 17.8 cm)
Image: 9 1/8 × 7 in. (23.2 × 17.8 cm)
Mount: 10 1/2 × 10 1/4 × 1/8 in. (26.7 × 26 × 0.3 cm)
Accession number
2018.149
Credit line
Purchase, with funds from the Director's Discretionary Fund
Rights and reproductions
© Barbara Hammer
Exhibitions
Installation photography
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Installation view of Trust Me (Whitney Museum of American Art, New York, August 19, 2023-February 2024). From left to right: Moyra Davey, Trust Me, 2011; Laura Aguilar, Nature Self Portrait #6, 1996; Dakota Mace, Béésh Łigaii II, 2022; Genesis Báez, Crossing Time, 2022; Alvin Baltrop, The Piers (collapsed architecture, couple buttfucking), 1979; Barbara Hammer, Barbara & Terry, 1972; Laura Aguilar, Plush Pony #2, 1992; Lola Flash, Untitled, Provincetown, MA, 1990; D'Angelo Lovell Williams, Elysian, 2018; Lee Mary Manning, His Estate, 2022; Jenny Calivas, Self-Portrait While Buried #12, 2021; Jenny Calivas, Self-Portrait While Buried #16, 2021; Genesis Báez, The Sound of a Circle, 2018. Photograph by Ron Amstutz
From the exhibition Trust Me
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Installation view of Trust Me (Whitney Museum of American Art, New York, August 19, 2023-February 2024). From left to right: Moyra Davey, Trust Me, 2011; Dakota Mace, Béésh Łigaii II, 2022; Genesis Báez, Crossing Time, 2022; Alvin Baltrop, The Piers (collapsed architecture, couple buttfucking), 1979; Barbara Hammer, Barbara & Terry, 1972; Laura Aguilar, Plush Pony #2, 1992; Lola Flash, Untitled, Provincetown, MA, 1990; D'Angelo Lovell Williams, Elysian, 2018; Lee Mary Manning, His Estate, 2022; Jenny Calivas, Self-Portrait While Buried #12, 2021; Jenny Calivas, Self-Portrait While Buried #16, 2021; Genesis Báez, The Sound of a Circle, 2018. Photograph by Ron Amstutz
From the exhibition Trust Me