On view
Floor 7
Date
1962
Classification
Sculpture
Medium
Granite and wood
Dimensions
Overall: 24 7/8 × 24 7/8 × 4 in. (63.2 × 63.2 × 10.2 cm)
Overall (with base): 72 7/16 × 18 × 18 in. (184 × 45.7 × 45.7 cm)
Accession number
86.1
Credit line
50th Anniversary Gift of Mrs. Robert W. Benjamin
Rights and reproductions
© The Isamu Noguchi Foundation and Garden Museum / Artists Rights Society (ARS), New York
Exhibitions
Installation photography
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Installation view of “Untitled” (America) (Whitney Museum of American Art, New York, July 5, 2025-). From left to right: Isamu Noguchi, Endless Coupling, 1957; Isamu Noguchi, Humpty Dumpty, 1946; Isamu Noguchi, Variation on a Millstone #1, 1962; Isamu Noguchi, Integral, 1959. Photograph by Ron Amstutz
From the exhibition “Untitled” (America)
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Installation view of “Untitled” (America) (Whitney Museum of American Art, New York, July 5, 2025-). From left to right: Isamu Noguchi, Integral, 1959; David Smith, Lectern Sentinel, 1961; Isamu Noguchi, Humpty Dumpty, 1946; Isamu Noguchi, Variation on a Millstone #1, 1962; Georgia O’Keeffe, The White Calico Flower, 1931; Richmond Barthé, African Dancer, 1933. Photograph by Ron Amstutz
From the exhibition “Untitled” (America)
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Installation view of “Untitled” (America) (Whitney Museum of American Art, New York, July 5, 2025-). From left to right: David Smith, Lectern Sentinel, 1961; Isamu Noguchi, Integral, 1959; Isamu Noguchi, Humpty Dumpty, 1946; Isamu Noguchi, Variation on a Millstone #1, 1962; Barnett Newman, Here III, 1965–66. Photograph by Ron Amstutz
From the exhibition “Untitled” (America)
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Installation view of “Untitled” (America) (Whitney Museum of American Art, New York, July 5, 2025-). From left to right: Isamu Noguchi, Integral, 1959; Isamu Noguchi, Variation on a Millstone #1, 1962; Isamu Noguchi, Humpty Dumpty, 1946; Isamu Noguchi, Celebration, c. 1952; Isamu Noguchi, The Gunas, 1946; Isamu Noguchi, The Queen, 1931/c. 1943. Photograph by Ron Amstutz
From the exhibition “Untitled” (America)
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Installation views of Isamu Noguchi: Master Sculptor (Whitney Museum of American Art, New York, New York, October 28, 2004–January 26, 2005). Left to right: Isamu Noguchi, Solar, 1958; Isamu Noguchi, Variation ona Millstone #1, 1962; Isamu Noguchi, Paris Abstraction, 1927–28; Isamu Noguchi, Paris Abstration, 1927–28. Photograph by Jerry L. Thompson
From the exhibition Isamu Noguchi: Master Sculptor