Classification
Prints
Medium
Monoprint
Dimensions
Sheet (irregular): 36 3/16 × 28 9/16 in. (91.9 × 72.5 cm)
Image: 32 3/16 × 22 7/8 in. (81.8 × 58.1 cm)
Accession number
70.1580
Edition
Ed. 25
Credit line
Gift of Virginia Dwan
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Tauba Auerbach, Binary Uppercase/Lowercase, 2005; Charles Gaines, Walnut Tree Orchard: M1, M2, M3, 1977; Agnes Denes, Dialectic Triangulation: A Visual Philosophy, series #3, 1970. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right, top to bottom: Charles Csuri, Sine Curve Man, 1967; Joan Truckenbrod, Curvilinear Perspective, 1979; Joan Truckenbrod, Coded Algorithmic Drawing (#9), 1975; Joan Truckenbrod, Coded Algorithmic Drawing (#45), 1975; Tauba Auerbach, Binary Uppercase/Lowercase, 2005; Charles Gaines, Walnut Tree Orchard: M1, M2, M3, 1977; Agnes Denes, Dialectic Triangulation: A Visual Philosophy, series #3, 1970; Lawrence Weiner, HERE THERE & EVERYWHERE, 1989; Sol LeWitt and Lucinda Childs, Dance #4, 1979. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018