Emmi Whitehorse, Another Blanket, 1983. Graphite wash, graphite pencil, colored pencil and oil pastel on paper, sheet: 31 11/16 × 47 13/16 in. (80.5 × 121.4 cm). Whitney Museum of American Art, New York; gift of Beth Elpern Burrows 2008.266
Not on view
Date
1983
Classification
Drawings
Medium
Graphite wash, graphite pencil, colored pencil and oil pastel on paper
Dimensions
Sheet: 31 11/16 × 47 13/16 in. (80.5 × 121.4 cm)
Accession number
2008.266
Credit line
Gift of Beth Elpern Burrows
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Harmony Hammond, Hug, 1978; Diane Simpson, Apron Armour, 1976; Emmi Whitehorse, Another Blanket, 1983; Miriam Schapiro, The Beauty of Summer, 1973–74. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Harmony Hammond, Hug, 1978; Diane Simpson, Apron Armour, 1976; Emmi Whitehorse, Another Blanket, 1983; Miriam Schapiro, The Beauty of Summer, 1973–74. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Harmony Hammond, Hug, 1978; Diane Simpson, Apron Armour, 1976; Emmi Whitehorse, Another Blanket, 1983; Miriam Schapiro, The Beauty of Summer, 1973–74; Robert Morris, Felt, 1967–68. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Emmi Whitehorse, Another Blanket, 1983; Robert Morris, Felt, 1967–68; Eva Hesse, No Title, 1969–70; Jackie Winsor, Bound Logs, 1972–73. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019