Ann Wilson

Moby Dick

Not on view

View more by this artist https://whitney.org/collection/works/3337

Classification
Paintings

Medium
Acrylic on found quilt mounted on canvas

Dimensions
Overall: 66 × 84 in. (167.6 × 213.4 cm)

Accession number
71.184

Credit line
Purchase, with funds from The Dietrich Brothers Americana Corporation

Rights and reproductions
© artist or artist's estate

API
artworks/3337

Wikidata
Q64514950

Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Ann Wilson, Moby Dick, 1955; Robyn Brentano and Andrew Horn, Cloud Dance, 1979; Lenore G. Tawney, Four Petaled Flower II, 1974. Photograph by Ron Amstutz

From the exhibition Making Knowing: Craft in Art, 1950–2019
Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Anni Albers, Line Involvements II, 1964; Anni Albers, Line Involvements VI, 1964; Ann Wilson, Moby Dick, 1955; Robyn Brentano and Andrew Horn, Cloud Dance, 1979; Lenore G. Tawney, Four Petaled Flower II, 1974; Lenore G. Tawney, Spirit River, 1966; Agnes Martin, Untitled, c. 1960; Agnes Martin, Untitled, c. 1960; Lenore G. Tawney, The Great Breath, 1964. Photograph by Ron Amstutz

From the exhibition Making Knowing: Craft in Art, 1950–2019
Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Sheila Hicks, Vanishing Yellow, Made in Switzerland, 1964; Sheila Hicks, Untitled, 1969; Ann Wilson, Moby Dick, 1955; Jackie Winsor, Bound Logs, 1972-73. Photograph by Ron Amstutz

From the exhibition Making Knowing: Craft in Art, 1950–2019