Aux environs de Paris (Paris and Vicinity)

Installation view of Nick Mauss: Transmissions (Whitney Museum of American Art, New York, March 16–May 14, 2018). Clockwise, from bottom left: Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; John Storrs, Forms in Space, c. 1924; Man Ray, New York, 1917/1966; Gaston Lachaise, Man Walking, 1933;  Dorthea Tanning, Aux environs de Paris (Paris and Vicinity), 1962; Nick Mauss, Images in Mind, 2018; Pavel Tchelitchew, Interior Landscape Skull, 1949; John Storrs, Forms in Space #1, c. 1924; Elie Nadelman, Two Circus Women, c. 1928–29; Gustav Natorp figure (formerly owned by Lincoln Kirstein), 1898; Sturtevant, Relâche, 1967; Ilse Bing, Untitled (Skyscrapers, night, NY), 1936; Isle Bing, Dead End II, 1936.; Ilse Bing, Three Birds in the Sky, Paris, 1936; Ilse Bing, Between France and U.S.A. (Seascapes), 1936; Elie Nadleman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Carl Van Vechten, Al Bledger of the Von Grona (American) Negro Ballet, 1938; Carl Van Vechten, Al Bledger of the Von Grona (American) Negro Ballet, 1938; Carl Van Vechten, Carl Van Vechten slideshow, 1940–64. Photograph by Ron Amstutz. Digital image © Whitney Museum of American Art, New York

From the exhibition Nick Mauss: Transmissions