Dorothea Tanning, Aux environs de Paris (Paris and Vicinity), 1962. Oil on linen, overall: 100 1/2 × 78 5/8 in. (255.3 × 199.7 cm). Whitney Museum of American Art, New York; gift of the Alexander Iolas Gallery 65.30. © The Dorothea Tanning Foundation/Artists Rights Society (ARS), New York
Not on view
Date
1962
Classification
Paintings
Medium
Oil on linen
Dimensions
Overall: 100 1/2 × 78 5/8 in. (255.3 × 199.7 cm)
Accession number
65.30
Credit line
Gift of the Alexander Iolas Gallery
Rights and reproductions
© The Dorothea Tanning Foundation/Artists Rights Society (ARS), New York
Exhibitions
Installation photography
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Installation view of Nick Mauss: Transmissions (Whitney Museum of American Art, New York, March 16–May 14, 2018). Clockwise, from bottom left: Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; John Storrs, Forms in Space, c. 1924; Man Ray, New York, 1917/1966; Gaston Lachaise, Man Walking, 1933; Dorthea Tanning, Aux environs de Paris (Paris and Vicinity), 1962; Nick Mauss, Images in Mind, 2018; Pavel Tchelitchew, Interior Landscape Skull, 1949; John Storrs, Forms in Space #1, c. 1924; Elie Nadelman, Two Circus Women, c. 1928–29; Gustav Natorp figure (formerly owned by Lincoln Kirstein), 1898; Sturtevant, Relâche, 1967; Ilse Bing, Untitled (Skyscrapers, night, NY), 1936; Isle Bing, Dead End II, 1936.; Ilse Bing, Three Birds in the Sky, Paris, 1936; Ilse Bing, Between France and U.S.A. (Seascapes), 1936; Elie Nadleman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Carl Van Vechten, Al Bledger of the Von Grona (American) Negro Ballet, 1938; Carl Van Vechten, Al Bledger of the Von Grona (American) Negro Ballet, 1938; Carl Van Vechten, Carl Van Vechten slideshow, 1940–64. Photograph by Ron Amstutz. Digital image © Whitney Museum of American Art, New York
From the exhibition Nick Mauss: Transmissions