John Storrs, Forms in Space, c. 1924. Aluminum, brass, copper, and wood on marble base, overall: 28 1/8 × 5 1/2 × 5 1/4 in. (71.4 × 14 × 13.3 cm). Whitney Museum of American Art, New York; gift of Charles Simon 77.58
Not on view
Date
c. 1924
Classification
Sculpture
Medium
Aluminum, brass, copper, and wood on marble base
Dimensions
Overall: 28 1/8 × 5 1/2 × 5 1/4 in. (71.4 × 14 × 13.3 cm)
Accession number
77.58
Credit line
Gift of Charles Simon
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
-
Installation view of Nick Mauss: Transmissions (Whitney Museum of American Art, New York, March 16–May 14, 2018). Clockwise, from bottom left: Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; John Storrs, Forms in Space, c. 1924; Man Ray, New York, 1917/1966; Gaston Lachaise, Man Walking, 1933; Dorthea Tanning, Aux environs de Paris (Paris and Vicinity), 1962; Nick Mauss, Images in Mind, 2018; Pavel Tchelitchew, Interior Landscape Skull, 1949; John Storrs, Forms in Space #1, c. 1924; Elie Nadelman, Two Circus Women, c. 1928–29; Gustav Natorp figure (formerly owned by Lincoln Kirstein), 1898; Sturtevant, Relâche, 1967; Ilse Bing, Untitled (Skyscrapers, night, NY), 1936; Isle Bing, Dead End II, 1936.; Ilse Bing, Three Birds in the Sky, Paris, 1936; Ilse Bing, Between France and U.S.A. (Seascapes), 1936; Elie Nadleman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Elie Nadelman, Untitled, c. 1938–46; Carl Van Vechten, Al Bledger of the Von Grona (American) Negro Ballet, 1938; Carl Van Vechten, Al Bledger of the Von Grona (American) Negro Ballet, 1938; Carl Van Vechten, Carl Van Vechten slideshow, 1940–64. Photograph by Ron Amstutz. Digital image © Whitney Museum of American Art, New York
From the exhibition Nick Mauss: Transmissions
-
Installation view of The Whitney’s Collection: Selections from 1900 to 1965 (Whitney Museum of American Art, New York, June 28, 2019- ). From left to right: Florine Stettheimer, New York/Liberty, 1918-19; John Storrs, Forms in Space, c. 1924; Johns Storrs, Forms in Space #1, c. 1924; Man Ray, New York, 1917/1966; John Storrs, Composition Around Two Voids, c. 1934; Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939; Margaret Bourke-White, Dam at Fort Peck, Montana, 1936, printed c. 1970; Andreas Feininger, West Side Highway, New York, 1940; Ilse Bing, Dead End II (Smokestacks, Queensborough Bridge), 1936. Photograph by Ron Amstutz
From the exhibition The Whitney’s Collection: Selections from 1900 to 1965
