Installation view of An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017 (Whitney Museum of American Art, New York, August 18, 2017–). From left to right, top to bottom: Ad Reinhardt, Abstract Painting, 1960–66; May Stevens, Dark Flag, 1976; Black Panther Party for Self-Defense, The Racist Dog Policemen Must Withdraw Immediately from Our Communities…, c.1970; Gordon Parks, Black Panther Headquarters, San Francisco, California, 1970; Bandaged Hands, Muhammad Ali, 1966; Louis H. Draper, Malcolm X, 369th Armory, Harlem, New York, 1964; Louis H. Draper, Fannie Lou Hamer, Mississippi, 1971; Bruce Davidson, Untitled (Khrushchev can eat here, Why Can’t We), Birmingham, Alabama, 1963; Toyo Miyatake, Watchtower, c.1943; Toyo Miyatake, Untitled (Open Image from Valediction), 1944; Toyo Miyatake, Untitled (Memorial Service at Memorial Monument, Manzanar, c.1945; Toyo Miyatake, Classroom—Visual Education, 1944. Photograph by Ron Amstutz