Brice Marden
Summer Table
1972–1973
Brice Marden’s Summer Table is divided into three equally sized but differently colored panels, all free of explicit representational reference and obvious brushstrokes. Marden used a spatula to smooth out the paint, creating a matte but lustrous surface. However, he also left a strip of canvas at the bottom with drips and splashes of paint, thus displaying the process that is camouflaged in the rest of the work. The evidence of process relates Marden’s work to the gesture-filled Abstract Expressionist canvases of the 1950s. Summer Table, moreover, is not a “pure” abstraction. Like the work of Ellsworth Kelly, it is based on an observation—in this case, Marden’s recollection of a table he saw on the Greek island of Hydra, set out with glasses of lemonade and Coca-Cola, as well as the colors of the surrounding garden and sea. As the work progressed, the formal aspects of the panels took over, creating stronger colors with a visually tense interplay between the bright central panel and its flanks.
Not on view
Date
1972–1973
Classification
Paintings
Medium
Oil and wax on canvas
Dimensions
Overall: 60 1/4 × 105 3/8in. (153 × 267.7 cm)
Accession number
73.30
Credit line
Whitney Museum of American Art, New York; purchase, with funds from the National Endowment for the Arts
Rights and reproductions
© Brice Marden/Artists Rights Society (ARS) New York
API
artworks/2369