John Marin, White Horses - Sea Movement off Deer Isle, Maine, 1926. Watercolor and charcoal on paper, sheet: 15 1/4 × 19 3/4 in. (38.7 × 50.2 cm). Whitney Museum of American Art, New York; gift of an anonymous donor 54.61. © Estate of John Marin/Artists Rights Society (ARS), New York
Not on view
Date
1926
Classification
Drawings
Medium
Watercolor and charcoal on paper
Dimensions
Sheet: 15 1/4 × 19 3/4 in. (38.7 × 50.2 cm)
Accession number
54.61
Credit line
Gift of an anonymous donor
Rights and reproductions
© Estate of John Marin/Artists Rights Society (ARS), New York
Exhibitions
Installation photography
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Installation view of At the Dawn of a New Age: Early Twentieth-Century American Modernism (Whitney Museum of American Art, New York, May 4, 2022–January 2023). From left to right: Charles G. Shaw, Self Portrait, c. 1930; Elie Nadelman, Standing Female Figure, c. 1925-26; Elie Nadelman, Standing Female Figure, c. 1925-26; Charles Burchfield, Sunlight in Forest, 1916; Oscar Bluemner, #8. June - Moon, 1927; Arthur Dove, Plant Forms, c. 1912; John Marin, White Horses - Sea Movement off Deer Isle, Maine, 1926; Stanton Macdonald-Wright, Oriental - Synchromy in Blue-Green, 1918; Richmond Barthé, African Dancer, 1933; Jay Van Everen, Abstract Landscape, c. 1924; Arthur B. Davies, Day of Good Fortune, c. 1914; Joseph Stella, Der Rosenkavalier, 1913-14; Carl Newman, Untitled (Bathers), c. 1917; Albert Bloch, Mountain, 1916; Yun Gee, Street Scene, 1926; Chiura Obata, Silence, Last Twilight on an Unknown Lake, Johnson Peak, 1930. Photograph by Ron Amstutz
From the exhibition At the Dawn of a New Age: Early Twentieth-Century American Modernism