Not on view
Date
1916
Classification
Paintings
Medium
Oil on paperboard
Dimensions
Overall: 25 1/8 × 31 3/4 in. (63.8 × 80.6 cm)
Accession number
69.40
Credit line
Blanche A. Haberman Bequest
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of At the Dawn of a New Age: Early Twentieth-Century American Modernism (Whitney Museum of American Art, New York, May 4, 2022–January 2023). From left to right: Carl Newman, Untitled (Bathers), 1917; Albert Bloch, Mountain, 1916; Adele Watson, Untitled (Figure Floating on Lake), 1916-25; Taizo Kato, Bowl with Two Flowers, 1920; Marguerite Zorach, Landscape with Figures, 1913; Imogen Cunningham, Magnolia Blossom, 1925; Pamela Colman Smith, The Wave, 1903; Georgia O’Keeffe, Flower Abstraction, 1924; Edith Clifford Williams, Two Rhythms, 1916. In vitrine: Pamela Colman Smith, Rider-Waite-Smith Tarot Deck, 1909. Photograph by Ron Amstutz
From the exhibition At the Dawn of a New Age: Early Twentieth-Century American Modernism
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Installation view of At the Dawn of a New Age: Early Twentieth-Century American Modernism (Whitney Museum of American Art, New York, May 4, 2022-January 2023). From left to right: Joseph Stella, Der Rosenkavalier, 1913-14; Carl Newman, Untitled (Bathers), 1917; Albert Bloch, Mountain, 1916; Adele Watson, Untitled (Figure Floating on Lake), 1916-25; Taizo Kato, Bowl with Two Flowers, 1920; Marguerite Zorach, Landscape with Figures, 1913; Imogen Cunningham, Magnolia Blossom, 1925; Pamela Colman Smith, The Wave, 1903. In vitrine: Pamela Colman Smith, Rider-Waite-Smith Tarot Deck, 1909. Photograph by Ron Amstutz
From the exhibition At the Dawn of a New Age: Early Twentieth-Century American Modernism
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Installation view of At the Dawn of a New Age: Early Twentieth-Century American Modernism (Whitney Museum of American Art, New York, May 4, 2022–January 2023). From left to right: Charles G. Shaw, Self Portrait, c. 1930; Elie Nadelman, Standing Female Figure, c. 1925-26; Elie Nadelman, Standing Female Figure, c. 1925-26; Charles Burchfield, Sunlight in Forest, 1916; Oscar Bluemner, #8. June - Moon, 1927; Arthur Dove, Plant Forms, c. 1912; John Marin, White Horses - Sea Movement off Deer Isle, Maine, 1926; Stanton Macdonald-Wright, Oriental - Synchromy in Blue-Green, 1918; Richmond Barthé, African Dancer, 1933; Jay Van Everen, Abstract Landscape, c. 1924; Arthur B. Davies, Day of Good Fortune, c. 1914; Joseph Stella, Der Rosenkavalier, 1913-14; Carl Newman, Untitled (Bathers), c. 1917; Albert Bloch, Mountain, 1916; Yun Gee, Street Scene, 1926; Chiura Obata, Silence, Last Twilight on an Unknown Lake, Johnson Peak, 1930. Photograph by Ron Amstutz
From the exhibition At the Dawn of a New Age: Early Twentieth-Century American Modernism
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Installation view of At the Dawn of a New Age: Early Twentieth-Century American Modernism (Whitney Museum of American Art, New York, May 4, 2022-January 2023). From left to right: Carl Newman, Untitled (Bathers), c. 1917; Albert Bloch, Mountain, 1916; Yun Gee, Street Scene, 1926; Chiura Obata, Silence, Last Twilight on an Unknown Lake, Johnson Peak, 1930; Agnes Pelton, Sea Change, 1931; Henrietta Shore, Trail of Life, c. 1923; Marsden Hartley, Landscape, New Mexico, 1919-20; Henry Lyman Sayen, Valley Falls II, c. 1915. Photograph by Ron Amstutz
From the exhibition At the Dawn of a New Age: Early Twentieth-Century American Modernism