Not on view
Date
1986
Classification
Textiles
Medium
Quilted polyester double-knit, wool jersey and cotton
Dimensions
Overall (Irregular): 89 3/4 × 71 1/2 in. (228 × 181.6 cm)
Accession number
2003.70
Credit line
Purchase, with funds from the Contemporary Painting and Sculpture Committee
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Rosie Lee Tompkins, Three Sixes, 1986; Thomas Lanigan-Schmidt, A Rite of Passage: The Velvet Cat Tail and the Silk Tiger Lily, 1987–88; John de Fazio, Crystal Meth Crucifix, 1999. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Kiki Smith, Familiars, 2001–02; Pepón Osorio; Angel: The Shoe Shiner, 1993; Rosie Lee Tompkins, Three Sixes, 1986; Thomas Lanigan-Schmidt, A Rite of Passage: The Velvet Cat Tail and the Silk Tiger Lily, 1987–88; John de Fazio, Crystal Meth Crucifix, 1999. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Robert Gober, Untitled, 1991; Pepón Osorio; Angel: The Shoe Shiner, 1993; Erica Baum, Hem Allowed, 2018; Erica Baum, Fold Coat, 2018; Erin Jane Nelson, Daufuskie Muscat, 2018; Rosie Lee Tompkins, Three Sixes, 1986. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019