Lee Friedlander

Man in Window, New York City
1963, printed 1973

A black and white photograph featuring a collage of images. On the left, a window frame reveals a blurred cityscape with buildings and a sign that reads "WORK." On the right, a smaller, clear image of a man working on a boat is inset against a white background. The overall composition is bordered by the rough edges of the photo paper, and there are artist's signatures at the bottom.
A black and white photograph featuring a collage of images. On the left, a window frame reveals a blurred cityscape with buildings and a sign that reads "WORK." On the right, a smaller, clear image of a man working on a boat is inset against a white background. The overall composition is bordered by the rough edges of the photo paper, and there are artist's signatures at the bottom.

Not on view

Date
1963, printed 1973

Classification
Photographs

Medium
Gelatin silver print mounted on paper

Dimensions
Sheet: 15 5/8 × 20in. (39.7 × 50.8 cm) Image: 6 3/4 × 10 1/4in. (17.1 × 26 cm) Mount (paper): 8 11/16 × 12 1/4in. (22.1 × 31.1 cm)

Accession number
2002.463.7

Edition
26/75

Credit line
Whitney Museum of American Art, New York; gift of Jeanne and Richard S. Press

Rights and reproductions
© artist or artist’s estate

API
artworks/15299

Part of a series:

15 Photographs, 1975

10 works

Black and white photograph depicting a suburban landscape with a house and trees in the background, a yield road sign in the foreground to the left, and a sidewalk running parallel to a street on the right. The image has a white border, suggesting it is a print.
Black and white photograph depicting a street view with a chain-link fence topped with barbed wire on the left, a sidewalk leading into the distance on the right, and palm trees and a building in the background. The image has a rough border, indicating it may be a print.
Black and white photograph featuring a complex, layered composition with reflections and objects that create an abstract scene. The image includes elements such as a partial view of a person's face reflected in a mirror, various outdoor elements like poles and cars, and text fragments, all contributing to a collage-like visual effect. The photo is bordered by a white frame, suggesting it is a print.
Black and white photograph depicting a desolate street scene with a utility pole centered in the middle of the frame, dividing the image into two symmetrical halves. A street sign reads "DEAD END" on the right side, with arid hills in the background and a clear sky above. The photo is mounted on a white border.
Black and white photograph framed by the silhouette of a car window, showing a street scene with a car, road signs, and a statue in the distance, all under a clear sky. The image has a white border with rough edges, suggesting it is a print.
A black and white photograph capturing a candid moment among a group of people, with a partial view of a person's face in the foreground on the right, someone holding a glass with a straw in the center, and various other individuals in the background, suggesting a social gathering or event. The image has a vintage feel, indicated by the white border typical of old photographs.
Black and white photograph depicting a mid-20th-century street scene with vintage cars parked along the curb, various storefronts including a hotel and a cleaners, and a "NO PARKING" sign prominently displayed in the foreground. The image has a white border typical of old photographs.
Black and white photograph of a person viewed from behind, wearing a fur hat and coat, looking down a busy city street with cars and buildings, framed with a white border.
Black and white photograph depicting a street scene reflected in a shop window, showcasing a variety of small items on display, with buildings and street lamps visible in the reflection. The image is centered on a textured white background.
A black and white photograph featuring a collage of images. On the left, a window frame reveals a blurred cityscape with buildings and a sign that reads "WORK." On the right, a smaller, clear image of a man working on a boat is inset against a white background. The overall composition is bordered by the rough edges of the photo paper, and there are artist's signatures at the bottom.

Lee Friedlander
110 works in the collection

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On the Hour

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Maya Man, A Realistic Day In My Life Living In New York City

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