Deborah Remington, Haddonfield, 1965. Oil on canvas, overall: 74 1/8 × 69 in. (188.3 × 175.3 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 66.81. © Deborah Remington Charitable Trust for the Visual Arts / Licensed by VAGA at Artists Rights Society (ARS), New York
Not on view
Date
1965
Classification
Paintings
Medium
Oil on canvas
Dimensions
Overall: 74 1/8 × 69 in. (188.3 × 175.3 cm)
Accession number
66.81
Credit line
Purchase, with funds from the Friends of the Whitney Museum of American Art
Rights and reproductions
© Deborah Remington Charitable Trust for the Visual Arts / Licensed by VAGA at Artists Rights Society (ARS), New York
Exhibitions
Installation photography
-
Installation view of Sixties Surreal (Whitney Museum of American Art, New York, September 24, 2025–January 19, 2026). From left to right: Raymond Saunders, Untitled, 1968; William T. Wiley, Shark's Dream, 1967; H.C. Westermann, The Plush, 1963–64; David Hammons, Untitled, 1969; Bruce Nauman, Mold for a Modernized Slant Step, 1966; Franklin Williams, Untitled III, 1966; Barbara Chase-Riboud, Confessions for Myself, 1972; Jeremy Anderson, Riverrun, 1965; Hannah Wilke, Teasel Cushion, 1967; Judy Chicago, In My Mother’s House, c. 1962–64; Yayoi Kusama, Accumulation, c. 1963; Louise Bourgeois, Fée Couturière, 1963; Miyoko Ito, Untitled, 1970; Franklin Williams, Untitled, 1967; Deborah Remington, Haddonfield, 1965; Eva Hesse, C-Clamp Blues, 1965; Lee Bontecou, Untitled, 1961. Artworks © 2025 H.C. Westermann / Artists Rights Society (ARS), NY; © 2025 David Hammons / Artists Rights Society (ARS), NY; © 2025 Bruce Nauman / Artists Rights Society (ARS), NY; © Franklin Williams; © Barbara Chase-Riboud; © Estate of Jeremy Anderson; © 2025 Marsie, Emanuelle, Damon and Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles / Artists Rights Society (ARS), NY; © 2025 Judy Chicago / Artists Rights Society (ARS), NY; © YAYOI KUSAMA; © 2025 The Easton Foundation / Artists Rights Society (ARS), NY; © Estate of Miyoko Ito; © 2025 Deborah Remington Charitable Trust for the Visual Arts / Licensed by VAGA at Artists Rights Society (ARS), NY; © The Estate of Eva Hesse; © Lee Bontecou; Courtesy Michael Rosenfeld Gallery, N.Y. Photograph by Ron Amstutz, digital image © Whitney Museum of American Art
From the exhibition Sixties Surreal
-
Installation view of Sixties Surreal (Whitney Museum of American Art, New York, September 24, 2025–January 19, 2026). From left: Miyoko Ito, Untitled, 1970; Kenneth Price, S.L. Green, 1963; Michael Todd, Fetish 3, 1963; Jeremy Anderson, Riverrun, 1965; Deborah Remington, Haddonfield, 1965; Hannah Wilke, Teasel Cushion, 1967; Yayoi Kusama, Accumulation, c. 1963; Louise Bourgeois, Fée Couturière, 1963; Judy Chicago, In My Mother’s House, c. 1962–64; Franklin Williams, Untitled, 1967; Eva Hesse, C-Clamp Blues, 1965. © Whitney Museum of American Art, photograph by Ron Amstutz; © Estate of Miyoko Ito; © Estate of Ken Price, courtesy Matthew Marks Gallery, New York; © Michael Todd; © Estate of Jeremy Anderson; © Deborah Remington Charitable Trust for the Visual Arts / Licensed by VAGA at Artists Rights Society (ARS), New York; © Marsie, Emanuelle, Damon and Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles / Artists Rights Society (ARS), NY; © YAYOI KUSAMA; © The Easton Foundation / Artists Rights Society (ARS), New York; © Judy Chicago / Artists Rights Society (ARS), New York; © Franklin Williams; © The Estate of Eva Hesse
From the exhibition Sixties Surreal