Recto
Not on view
Date
1935, printed 1996
Classification
Prints
Medium
Linoleum cut with chine-collé
Dimensions
Sheet (Irregular): 12 × 9 in. (30.5 × 22.9 cm)
Image: 12 × 9 in. (30.5 × 22.9 cm)
Mount: 19 1/8 × 15 in. (48.6 × 38.1 cm)
Accession number
98.22.2
Edition
3/75
Publication
Printed by Robert Blackburn Printmaking Workshop; published by Marshall Arts, Ltd./Woodruff Project
Credit line
Gift of E. Thomas Williams, Jr. and Auldlyn Higgins Williams
Rights and reproductions
© Estate of Hale Aspacio Woodruff / Licensed by VAGA at Artists Rights Society (ARS), New York
Part of a series:
Hale Woodruff: Selections from the Atlanta Period 1931-1946
8 works
Installation photography
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Installation view of Edges of Ailey (Whitney Museum of American Art, New York, September 25, 2024-February 9, 2025). From left to right: Purvis Young, Ocean, 1975; Meta Vaux Warrick Fuller, Mold for Crusaders for Freedom, 1962; Sam Gilliam, Untitled (Black), 1978; David Hammons, Untitled, 1992; Al Loving, Untitled, c. 1975; Hale Aspacio Woodruff, By Parties Unknown, 1935, printed 1996; Hale Aspacio Woodruff, Giddap, 1935, printed 1996; Purvis Young, I Love Your America, late 1970s; Martin Puryear, The Rest, 2009-10; Samella Lewis, Migrants, 1968; Purvis Young, Black People Migrating West, late 1970s; William H. Johnson, Moon Over Harlem, 1943-44; Lonnie Holley, Sharing the Struggle, 2018; Theaster Gates, Minority Majority, 2012; Sam Doyle, Frank Capers, 2023; Sam Doyle, LeBe, 1970s; Wadsworth Jarrell, Together We Will Win, 1973; Faith Ringgold, United States of Attica, 1971; Wadsworth Jarrell, Revolutionary (Angela Davis), 1972; James Van Der Zee, Marcus Garvey Rally, 1924; Jeff Donaldson, Soweto/So We Too, 1979; Maren Hassinger, River, 1972/2012; Maren Hassinger, River, 1972/2012; Melvin Edwards, Utonga (Lynch Fragment), 1988; Aaron Douglas, Bravado, 1926; Melvin Edwards, Chitungwiza from the Lynch Fragment series, 1989; Aaron Douglas, Flight, 1926; Melvin Edwards, Katura from the Lynch Fragment series, 1986; Aaron Douglas, Surrender, 1970; Melvin Edwards, Cup of? From the Lynch Fragment series, 1988. Photograph by Ron Amstutz
From the exhibition Edges of Ailey