Byron Kim

(Untitled)
1994

A textured gray paper with a faint outline of a traditional light bulb embossed in the center.

Not on view

Date
1994

Classification
Prints

Medium
Watermark

Dimensions
Sheet (Irregular): 23 5/8 × 18 1/16in. (60 × 45.9 cm) Image: 13 × 6 1/2in. (33 × 16.5 cm)

Accession number
96.59.4

Edition
1/95 | 15 APs, 10 PPs

Publication
Printed by Byron Kim; published by Korean Friends of the 1993 Whitney Biennal; published by Whitney Museum of American Art

Credit line
Whitney Museum of American Art, New York; Published by Korean friends of the 1993 Whitney Biennial in association with the Whitney Museum of American Art

Rights and reproductions
© artist or artist’s estate

API
artworks/10390

Part of a series:
1993 Whitney Biennial in Seoul
14 works

A wide, panoramic artwork featuring a collage of various elements: two pairs of hands in different styles, a large black spiral with a rough sketch of an eye at its center, a silhouette of a humanoid figure with a shadow, a small brown figure with a white outline, and a large brown letter 'Y' with a black 'X' at the intersection. The background is white with faint, cursive handwriting scattered throughout.

Illustration of a pale figure with red spots and a striped staff against a dark, textured background.

A stylized print featuring a tree with a leafy canopy depicted as a single maple leaf, set against a blue background. The trunk of the tree is labeled with the word "TREE" and a line pointing to the ground is labeled "LINE." Near the base of the trunk, a circle contains the word "ME." The artwork is bordered by a wide white margin with numbering and a signature at the bottom.

A minimalist black and white line drawing of an abstract figure resembling a gingerbread man with a simple face and no distinct features, centered on a white background with the artist's signature and edition number at the bottom.

A print featuring two panels with sketched illustrations of birds and insects. The left panel has colorful drawings of a dragonfly, a butterfly, and a red insect, all in flight above a plant. The right panel shows a detailed black and white sketch of a large bird with outstretched wings, possibly a mythical creature, resembling a griffin. The artist's signature is visible at the bottom right.

A high-contrast black and white artwork depicting a revolver pointed directly at the viewer, with the barrel centered and in focus. The image is signed and dated in the lower right corner.

Close-up of a serene Buddha face made with a halftone dot pattern.

A digitally manipulated artwork featuring two images of a guitar with a colorful, abstract design against a textured grey background. The top guitar has a more vibrant and varied color palette, while the bottom guitar has a repeated pattern with darker tones. Both are set on a white border with a signature in orange at the bottom right corner.

Exhibitions

Approaching Objects

Jan 10–May 31, 2003

Byron Kim
4 works in the collection

View artist

Byron Kim

(Untitled) 1994

Exhibitions

Byron Kim 4 works in the collection

(Untitled)
1994

Byron Kim
4 works in the collection