Byron Kim

(Untitled)
1994

A textured gray paper with a faint outline of a traditional light bulb embossed in the center.

Not on view

Date
1994

Classification
Prints

Medium
Watermark

Dimensions
Sheet (Irregular): 23 5/8 × 18 1/16in. (60 × 45.9 cm) Image: 13 × 6 1/2in. (33 × 16.5 cm)

Accession number
96.59.4

Edition
1/95 | 15 APs, 10 PPs

Publication
Printed by Byron Kim; published by Korean Friends of the 1993 Whitney Biennal; published by Whitney Museum of American Art

Credit line
Whitney Museum of American Art, New York; Published by Korean friends of the 1993 Whitney Biennial in association with the Whitney Museum of American Art

Rights and reproductions
© artist or artist’s estate

API
artworks/10390

Part of a series:

1993 Whitney Biennial in Seoul

14 works

A wide, panoramic artwork featuring a collage of various elements: two pairs of hands in different styles, a large black spiral with a rough sketch of an eye at its center, a silhouette of a humanoid figure with a shadow, a small brown figure with a white outline, and a large brown letter 'Y' with a black 'X' at the intersection. The background is white with faint, cursive handwriting scattered throughout.

Illustration of a pale figure with red spots and a striped staff against a dark, textured background.

A stylized print featuring a tree with a leafy canopy depicted as a single maple leaf, set against a blue background. The trunk of the tree is labeled with the word "TREE" and a line pointing to the ground is labeled "LINE." Near the base of the trunk, a circle contains the word "ME." The artwork is bordered by a wide white margin with numbering and a signature at the bottom.

A minimalist black and white line drawing of an abstract figure resembling a gingerbread man with a simple face and no distinct features, centered on a white background with the artist's signature and edition number at the bottom.

A hand-drawn schematic diagram with annotations and two realistic eyes superimposed over a section labeled "DIGITAL VIDEO FRAME STORE."

A digitally manipulated artwork featuring two images of a guitar with a colorful, abstract design against a textured grey background. The top guitar has a more vibrant and varied color palette, while the bottom guitar has a repeated pattern with darker tones. Both are set on a white border with a signature in orange at the bottom right corner.

A series of horizontal lines numbered 55 to 78 on the left, with numbers 5 and 6 on the right, resembling a lined paper sheet.

A high-contrast black and white artwork depicting a revolver pointed directly at the viewer, with the barrel centered and in focus. The image is signed and dated in the lower right corner.

Exhibitions

Approaching Objects

Jan 10–May 31, 2003

Byron Kim
4 works in the collection

View artist

Byron Kim

(Untitled) 1994

Exhibitions

Byron Kim 4 works in the collection

(Untitled)
1994

Byron Kim
4 works in the collection