Gerald McLaughlin

The Empress
1956

A detailed and intricate painting depicting a complex assembly of mechanical and organic forms that resemble a futuristic or alien tableau. The color palette is dominated by dark and earthy tones, with a heavy use of browns and blues, creating a somber and mysterious atmosphere. The central figure appears to be a large, deity-like entity composed of various mechanical parts, surrounded by a multitude of smaller figures and objects that could be interpreted as worshippers or components of a larger machine. The artwork is rich in texture and depth, suggesting a synthesis of technology and mythology.

A detailed and intricate painting depicting a complex assembly of mechanical and organic forms that resemble a futuristic or alien tableau. The color palette is dominated by dark and earthy tones, with a heavy use of browns and blues, creating a somber and mysterious atmosphere. The central figure appears to be a large, deity-like entity composed of various mechanical parts, surrounded by a multitude of smaller figures and objects that could be interpreted as worshippers or components of a larger machine. The artwork is rich in texture and depth, suggesting a synthesis of technology and mythology.

Not on view

Date
1956

Classification
Paintings

Medium
Oil on composition board

Dimensions
Overall: 48 × 81 7/8in. (121.9 × 208 cm)

Accession number
57.19

Credit line
Whitney Museum of American Art, New York; purchase

Rights and reproductions
© artist or artist’s estate

API
artworks/1036

Gerald McLaughlin
1 work in the collection

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