Edward Ruscha

Untitled
1992

A grayscale abstract artwork centered on a white background. The piece features a horizontal rectangular area with textured shading that transitions from light at the top to dark at the bottom. A small, white checkmark-like symbol is visible in the upper right quadrant of the shaded area. The artwork is numbered on the bottom left and signed and dated on the bottom right.
A grayscale abstract artwork centered on a white background. The piece features a horizontal rectangular area with textured shading that transitions from light at the top to dark at the bottom. A small, white checkmark-like symbol is visible in the upper right quadrant of the shaded area. The artwork is numbered on the bottom left and signed and dated on the bottom right.

Not on view

Date
1992

Classification
Prints

Medium
Lithograph

Dimensions
Sheet: 12 1/16 × 12in. (30.6 × 30.5 cm) Image: 4 3/4 × 7 3/4in. (12.1 × 19.7 cm)

Accession number
95.95.2

Edition
6/28 | 10 APs

Publication
Printed by Hamilton Press; published by Edition Julie Sylvester

Credit line
Whitney Museum of American Art, New York; purchase, with funds from the Robert B. and Emilie W. Betts Foundation, The List Purchase Fund, Brooke Garber Neidich and the Robert Wilson Foundation

Rights and reproductions
© Ed Ruscha

API
artworks/10009

Part of a series:
Cameo Cuts
7 works

A print featuring the words "The End" in a vintage, serif font, centered on a textured background that resembles an old film strip or a piece of weathered paper. The print is numbered "6/28" in the bottom left corner and signed with the initials "E.R. '92" in the bottom right corner, indicating it's part of a limited series and dated from 1992. The overall tone is sepia, suggesting an aged or nostalgic quality.
A black and white etching of a simple rural scene featuring a diagonal fence casting long shadows across a textured field, with the image bordered by a wide white margin where numbering and artist's initials are inscribed in pencil.
A grayscale artwork depicting a close-up view of a clock face, showing the numbers 2 through 14 in a non-standard arrangement. The clock's hour hand points between the 7 and 8, while there is no visible minute hand. The image is framed within a larger white border, and there is a signature with the date '92 in the bottom right corner.
A black and white print featuring two teepees with a series of vertical dotted lines suggesting rainfall. The image has a textured appearance, with the teepees appearing dark against a lighter background. There is a signature and edition number on the bottom right.
A grayscale abstract artwork centered on a white background. The piece features a horizontal rectangular area with textured shading that transitions from light at the top to dark at the bottom. A small, white checkmark-like symbol is visible in the upper right quadrant of the shaded area. The artwork is numbered on the bottom left and signed and dated on the bottom right.
A black and white etching of the number 6 inside a circle, centered on a textured background that resembles a wooden plank. The artwork is numbered 6/25 and signed by the artist, dated '92, in the lower margin.

Edward Ruscha
563 works in the collection

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