Manny Farber
1917–2008
Introduction
Emanuel Farber (February 20, 1917 – August 18, 2008) was an American painter, film critic and writer. Often described as "iconoclastic", Farber developed a distinctive prose style and set of theoretical stances which have had a large influence on later generations of film critics and influence on underground culture. Susan Sontag considered him to be "the liveliest, smartest, most original film critic this country has ever produced."
Farber's writing was distinguished by its "visceral," punchy style and inventive approach towards language; amongst other things, he is credited with coining the term "underground film" in 1957, and was an early advocate of such filmmakers as Howard Hawks, Rainer Werner Fassbinder, Werner Herzog, William Wellman, Raoul Walsh, Anthony Mann, Michael Snow, Chantal Akerman, George Kuchar, Nicolas Roeg, Samuel Fuller and Andy Warhol.
Farber's painting, which was often influenced by his favorite filmmakers, is held in equally high regard; he was dubbed the greatest still life painter of his generation by The New York Times.
Wikidata identifier
Q373481
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License. Accessed November 12, 2024.
Introduction
Farber wrote film criticism for a number of periodicals, and has published collections of his essays, including "Negative Space."
Country of birth
United States
Roles
Artist, author, critic, painter, writer
ULAN identifier
500106182
Names
Manny Farber, Emanuel Farber, Emmanuel Farber
Information from the Getty Research Institute's Union List of Artist Names ® (ULAN), made available under the ODC Attribution License. Accessed November 12, 2024.
