Hand-Painted Pop
Related Artworks from the Whitney's Collection

Explore a selection of artworks from the Whitney’s collection that relate to Andy Warhol—From A to B and Back Again.

  • Black and white illustration of a bathroom with a toilet, bathtub, sink, and checkered floor.
    Black and white illustration of a bathroom with a toilet, bathtub, sink, and checkered floor.

    Roy Lichtenstein, Bathroom, 1961. Oil on canvas, overall: 45 3/4 × 69 3/8 in. (116.2 × 176.2 cm). Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2002.253. © Estate of Roy Lichtenstein,all rights reserved

  • Abstract painting featuring a stylized black and white television set on the right, with a large, dark circular shape resembling a satellite dish or vinyl record in the center. Various abstract elements and shapes are scattered throughout, including a block with the number "1" and a partial "230" at the bottom. The text "7 inch TV NSO" is written near the bottom right. The background is a mix of neutral tones with brushstrokes and washes of paint.
    Abstract painting featuring a stylized black and white television set on the right, with a large, dark circular shape resembling a satellite dish or vinyl record in the center. Various abstract elements and shapes are scattered throughout, including a block with the number "1" and a partial "230" at the bottom. The text "7 inch TV NSO" is written near the bottom right. The background is a mix of neutral tones with brushstrokes and washes of paint.

    Andy Warhol, $199 Television, 1961. Acrylic and oil stick on canvas, overall: 68 × 52 1/4 in. (172.7 × 132.7 cm). Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2002.268. © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

  • A boxy, hand bag-like heater with a single chord glows orange through its gridded front.
    A boxy, hand bag-like heater with a single chord glows orange through its gridded front.

    Vija Celmins, Heater, 1964. Oil on canvas, overall: 47 9/16 × 48 in. (120.8 × 121.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Contemporary Painting and Sculpture Committee 95.19. © Vija Celmins

  • A textured, three-dimensional artwork resembling a shirt with a vibrant mix of blue, yellow, and white paint splatters, mounted on a white wall.
    A textured, three-dimensional artwork resembling a shirt with a vibrant mix of blue, yellow, and white paint splatters, mounted on a white wall.

    Claes Oldenburg, Shirt, 1960. Plaster on screening, muslin, wire, and tempera paint, overall: 30 × 25 × 4 1/2 in. (76.2 × 63.5 × 11.4 cm). Whitney Museum of American Art, New York; gift of Andy Warhol 75.54. © Claes Oldenburg

  • An abstract painting featuring dark, concentric arcs with a textured black and gray palette. The phrase "THE BLACK RAINBOW" is scrawled in white at the top, with white drips descending from the letters. Hints of brown and tan colors emerge from beneath the darker layers in the lower arcs.
    An abstract painting featuring dark, concentric arcs with a textured black and gray palette. The phrase "THE BLACK RAINBOW" is scrawled in white at the top, with white drips descending from the letters. Hints of brown and tan colors emerge from beneath the darker layers in the lower arcs.

    Jim Dine, The Black Rainbow, 1959–1960. Oil and corrugated cardboard on paperboard, overall: 39 5/8 × 59 3/4 in. (100.7 × 151.8 cm). Whitney Museum of American Art, New York; gift of Andy Warhol 74.112. © Jim Dine/Artists Rights Society (ARS), New York

  • A mixed media artwork featuring a black background with a rectangular section of textured pink and purple hues, showcasing the silhouette of a woman's figure in a pose that suggests movement or dance. The artist's signature and the year 1953 are inscribed at the bottom right.
    A mixed media artwork featuring a black background with a rectangular section of textured pink and purple hues, showcasing the silhouette of a woman's figure in a pose that suggests movement or dance. The artist's signature and the year 1953 are inscribed at the bottom right.

    Ray Johnson, Hand Marilyn Monroe, 1958. Ink, cut paper, and tempera on paperboard mounted on composition board, overall: 16 3/4 × 13 in. (42.5 × 33 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 99.85

  • Abstract expressionist painting with a blend of bold and muted colors, featuring broad brushstrokes, scribbles, and what appears to be fragmented figures and shapes. The composition is dominated by earthy tones, with splashes of red and orange, and has a dynamic, somewhat chaotic feel.
    Abstract expressionist painting with a blend of bold and muted colors, featuring broad brushstrokes, scribbles, and what appears to be fragmented figures and shapes. The composition is dominated by earthy tones, with splashes of red and orange, and has a dynamic, somewhat chaotic feel.

    Larry Rivers, Washington Crossing the Delaware, 1960. Oil and oil stick on linen, overall: 84 3/8 × 108 3/8 in. (214.3 × 275.3 cm). Whitney Museum of American Art, New York; gift of Mr. and Mrs. Laurance S. Rockefeller 80.27. © Estate of Larry Rivers / Licensed by VAGA at Artists Rights Society (ARS), New York

  • An abstract painting featuring a variety of brush strokes, scribbles, and color patches on a beige background. The artwork is composed of layers of different textures and hues, including blues, reds, yellows, and whites, with some areas where the underlying sketches and marks are visible. The composition is dynamic, with no clear focal point, inviting viewers to interpret the piece in their own way.
    An abstract painting featuring a variety of brush strokes, scribbles, and color patches on a beige background. The artwork is composed of layers of different textures and hues, including blues, reds, yellows, and whites, with some areas where the underlying sketches and marks are visible. The composition is dynamic, with no clear focal point, inviting viewers to interpret the piece in their own way.

    Robert Rauschenberg, Untitled, 1958. Solvent transfer, graphite pencil, collage, transparent and opaque watercolor, and oil pastel on paper. The artist requests the work be called a "combine drawing.", sheet: 24 1/4 × 36 1/8 in. (61.6 × 91.8 cm). Whitney Museum of American Art, New York; gift of Mr. and Mrs. B. H. Friedman 72.2. © Robert Rauschenberg Foundation / Licensed by VAGA at Artists Rights Society (ARS), New York

  • A painting of the American flag with a layered, textured appearance, featuring multiple star-spangled banners receding into the background.
    A painting of the American flag with a layered, textured appearance, featuring multiple star-spangled banners receding into the background.

    Jasper Johns, Three Flags, 1958. Encaustic on canvas, overall: 30 5/8 × 45 1/2 × 4 5/8 in. (77.8 × 115.6 × 11.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, Howard Lipman, and Ed Downe in honor of the Museum's 50th Anniversary 80.32. © Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), New York

  • Abstract doodles and scribbles in various colors on a cream background.
    Abstract doodles and scribbles in various colors on a cream background.

    Cy Twombly, Untitled, 1964. Graphite, colored pencil and crayon on paper, sheet (Sight): 28 1/2 × 39 3/4 in. (72.4 × 101 cm). Whitney Museum of American Art, New York; purchase, with funds from the Drawing Committee 84.21. © Cy Twombly Foundation

  • A dense frenzy of paint splatters in black, gray, white, and muted pink and yellow.
    A dense frenzy of paint splatters in black, gray, white, and muted pink and yellow.

    Jackson Pollock, Number 27, 1950, 1950. Oil, enamel, and aluminum paint on canvas, overall: 49 1/16 × 106 1/16 in. (124.6 × 269.4 cm). Whitney Museum of American Art, New York; purchase 53.12. © The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York

  • An abstract expressionist painting featuring a figure with exaggerated features and vibrant colors. The brushstrokes are thick and energetic, with elements of green, red, pink, and yellow dominating the composition. The background appears chaotic, with various shapes and lines intermingling.
    An abstract expressionist painting featuring a figure with exaggerated features and vibrant colors. The brushstrokes are thick and energetic, with elements of green, red, pink, and yellow dominating the composition. The background appears chaotic, with various shapes and lines intermingling.

    Willem de Kooning, Woman and Bicycle, 1952–1953. Oil, enamel, and charcoal on linen, overall: 76 1/2 × 49 1/8 in. (194.3 × 124.8 cm). Whitney Museum of American Art, New York; purchase 55.35. © The Willem de Kooning Foundation/ Artists Rights Society (ARS), New York

  • A black and white photograph of four men posing with serious expressions. The man on the far left wears sunglasses and is lighting a cigarette, the second from the left holds a pipe in his mouth, the third man is wearing a checked shirt and a jacket, and the man on the far right is exhaling smoke from a cigarette. They all have short haircuts and are standing in front of a dark background. There is a signature and the year "1963" written in the bottom right corner of the image.
    A black and white photograph of four men posing with serious expressions. The man on the far left wears sunglasses and is lighting a cigarette, the second from the left holds a pipe in his mouth, the third man is wearing a checked shirt and a jacket, and the man on the far right is exhaling smoke from a cigarette. They all have short haircuts and are standing in front of a dark background. There is a signature and the year "1963" written in the bottom right corner of the image.

    Dennis Hopper, Andy Warhol, David Hockney, Henry Geldzahler and Jeff Goodman from "Out of the 60's", 1963. Photolithograph, sheet: 22 7/16 × 30 1/16 in. (57 × 76.4 cm) Image: 19 5/8 × 29 5/8 in. (49.8 × 75.3 cm). Whitney Museum of American Art, New York; purchase, with funds from Joanne Leonhardt Cassullo and the Dorothea L. Leonhardt Fund at the Communities Foundation of Texas and The Horace W. Goldsmith Fund 99.62.4

Browse the full collection.

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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