The Last Supper
Related Artworks from the Whitney's Collection

Explore a selection of artworks from the Whitney’s collection that relate to Andy Warhol—From A to B and Back Again.

  • A collage featuring a surreal juxtaposition of images, with a hand extending towards the viewer on the left and a classical statue's head on a pair of legs in the center, all set against a backdrop of variously textured and colored papers.
    A collage featuring a surreal juxtaposition of images, with a hand extending towards the viewer on the left and a classical statue's head on a pair of legs in the center, all set against a backdrop of variously textured and colored papers.

    Stan VanDerBeek, (Photomontage over an image of the Mona Lisa), 1965. Gelatin silver print, overall (open): 12 3/4 × 14 3/4 × 3/16 in. (32.4 × 37.5 × 0.5 cm) Overall (closed): 12 3/4 × 9 3/16 × 3/16 in. (32.4 × 23.3 × 0.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Drawing Committee, the Film, Video, and New Media Committee, the Photography Committee, Gregg G. Seibert, and Craig F. Starr 2015.72. © Estate of Stan VanDerBeek

  • A gallery wall featuring a textured artwork with a circular depiction of a woman's face resembling a famous actress from the mid-20th century. To the left, a framed text reads "DOES MARILYN MONROE MAKE YOU CRY?" and a small descriptive plaque is adjacent to the artwork on the right.
    A gallery wall featuring a textured artwork with a circular depiction of a woman's face resembling a famous actress from the mid-20th century. To the left, a framed text reads "DOES MARILYN MONROE MAKE YOU CRY?" and a small descriptive plaque is adjacent to the artwork on the right.

    Louise Lawler, Does Marilyn Monroe Make You Cry?, 1988. Silver dye bleach print with plexiglass wall label, photograph: 27 5/8 x 39 1/4 in. Label: 4 1/8 x 6 1/16 in.. Whitney Museum of American Art, New York; gift of Melva Bucksbaum and Raymond J. Learsy 2016.45a-b. © Louise Lawler. Courtesy of the artist and Metro Pictures, New York

  • A grid of six high-contrast images featuring a profile view of a person's face, with each image tinted in a red and black color scheme. The repetition and color choice give the artwork a pop art aesthetic.
    A grid of six high-contrast images featuring a profile view of a person's face, with each image tinted in a red and black color scheme. The repetition and color choice give the artwork a pop art aesthetic.

    Deborah Kass, 6 Red Barbras (Jewish Jackie Series), 1992. Acrylic and screenprint on canvas, overall: 30 1/16 × 24 in. (76.4 × 61 cm). Whitney Museum of American Art, New York; Jack E. Chachkes Bequest 95.139. © Deborah Kass / Artists Rights Society (ARS), New York

  • A high-contrast black and white print featuring a stylized profile of a person's face. The image has a textured appearance, with the white areas representing highlights and the black areas creating the silhouette and shadows. The artwork is signed and marked as an artist's proof at the bottom.
    A high-contrast black and white print featuring a stylized profile of a person's face. The image has a textured appearance, with the white areas representing highlights and the black areas creating the silhouette and shadows. The artwork is signed and marked as an artist's proof at the bottom.

    Mike Bidlo, Not Warhol (Jackie), 1984. Screenprint, sheet: 22 1/8 × 17 in. (56.2 × 43.2 cm) Image: 19 3/4 × 16 1/16 in. (50.2 × 40.8 cm). Whitney Museum of American Art, New York; purchase, with funds from the Print Committee 2009.14. © Mike Bidlo

Browse the full collection.

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.