Andy Warhol Film Project

1963

Tom
Untitled (Taylor and John)
Untitled (Rosenquist at Work)
Country
Untitled (John in Country)
Untitled (John in Hammock)
Bob Indiana, Etc.
Untitled (Happy Birthday, Eleanor)
Andy Warhol Films Jack Smith Filming “Normal Love”
Sleep
John Washing
Naomi and Rufus Kiss
Kiss
Dance Movie
Jill and Freddy Dancing
Me and Taylor
Elvis at Ferus
Denis Deegan
Wynn, Gerry, Claes
Duchamp Opening
Tarzan and Jane Regained, Sort Of . . .
Henry in Bathroom
Sarah—Soap
Y. Rainer Dance
Harold
Billy Klüver
Jill
Jill at Billy Klüver’s
Kenward Elmslie
Original Eat
Naomi
Naomi and John
Naomi in Chase’s
Joe Jones
Assorted Outtakes
Haircut (No. 2)
Haircut (No. 1) (The End of Dawn)
Haircut (No. 3)

1964

Alan Marlowe and Diane di Prima
Eat
Blow Job
Marisol—Stop Motion
Marisol Exhibition
Three
Dinner at Daley’s
Jill Johnston Dancing
Soap Opera
Naomi’s 24th Birthday
Lance Wilson (The Madness of Lady Bright)
Billy Linich Shoeshine
Batman Dracula
Empire
Henry Geldzahler
People Looking at Henry Geldzahler on Screen
Allen
Couch
Shoulder
Isabel Wrist
Taylor Mead’s Ass
8mm Loops
Jane and Darius
Imu and Son
Banana
David Bourdon Being Beaten
Philip and Gerard
Mario Banana
Mario Montez Dances
Harlot
Mario Montez Screen Tests
Steve Holden Drunk
Sampler

1965

John and Ivy
Drunk
Screen Test No. 1
Screen Test No. 2
Suicide
The Life of Juanita Castro
Bitch
Horse
Poor Little Rich Girl
Vinyl
Edie and Kip
Restaurant
Face
Prison
Kitchen
Beauty #1
Beauty #2
Afternoon
Space
Outer and Inner Space
Discotheque
My Hustler
My Hustler II (Ingrid in Apartment)
Brigid #1
Camp
The Bed
Paul Swan
More Milk Yvette
Lupe

John G. Hanhardt began his career in the Museum of Modern Art’s Department of Film and went on to establish the film program and study collection at the Walker Art Center. He was Curator and Head of the Film and Video Department at the Whitney Museum of American Art, where he curated The Films of Andy Warhol (1988) and Andy Warhol’s Video and Television (1991). Hanhardt was also Senior Curator of Film and Media Art at the Solomon R. Guggenheim Museum and the Smithsonian American Art Museum, and Consulting Curator of Film and Media Art at the Memorial Art Gallery of the University of Rochester.

Bruce Jenkins is Professor of Film, Video, New Media, and Animation at the School of the Art Institute of Chicago. Previously he was the Stanley Cavell Curator at the Harvard Film Archive; Curator of Film and Video at the Walker Art Center, Minneapolis; and Film Programmer at Media Study/Buffalo. He has taught at the State University of New York at Buffalo, the University of Minnesota, Macalester College, Harvard University, and the University of Cincinnati. Among his publications are a book-length study on the work of Gordon Matta-Clark (Afterall, 2011) and an edited volume of writings by Hollis Frampton (MIT Press, 2009).

Tom Kalin’s work traverses diverse forms and genres, from installations to narrative features to activism. His film Swoon (1992) was awarded prizes in Berlin, Stockholm, and Sundance, and Savage Grace (2007) premiered at Cannes and screened worldwide. As a producer, his features have included I Shot Andy Warhol (1996) and Go Fish (1994). Kalin was also a writer for Cindy Sherman’s Office Killer (1997).

Jonathan Flatley is a professor in the English Department at Wayne State University, where he was the editor of Criticism: A Quarterly for Literature and the Arts from 2007 to 2012. He is the author of Affective Mapping: Melancholia and the Politics of Modernism (Harvard University Press, 2008) and Like Andy Warhol (University of Chicago Press, 2017), and co-editor of Pop Out: Queer Warhol (Duke University Press, 1996).

Elena Gorfinkel is Senior Lecturer in Film Studies at King’s College London. She is the author of Lewd Looks: American Sexploitation Cinema in the 1960s (University of Minnesota Press, 2017) and co-editor of the collections Global Cinema Networks (Rutgers University Press, 2018) and Taking Place: Location and the Moving Image (University of Minnesota Press, 2011). She was awarded a 2018 Andy Warhol Foundation Arts Writers Grant for her current book project on cinemas and exhaustion.

Claire K. Henry served as Curatorial Consultant to the Andy Warhol Film Project and Assistant Curator at the Whitney Museum of American Art. She curated the film component of the Whitney’s 2018 retrospective Andy Warhol: From A to B and Back Again. Henry also programmed Warhol’s films at various venues and lectured widely on his film work in Europe and North America.

Homay King is Professor in the Department of History of Art at Bryn Mawr College. She is the author of Virtual Memory: Time-based Art and the Dream of Digitality (2015) and Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier (2010), both published by Duke University Press. Her essays have appeared in Camera Obscura, Film Quarterly, October, and exhibition catalogues, including the Metropolitan Museum of Art’s China: Through the Looking Glass.

Ara Osterweil is a painter, a writer, and a scholar of contemporary art, experimental film, and world cinema. Her writings have been published in Artforum, Camera Obscura, Film Quarterly, and Millennium Film Journal. Her book Flesh Cinema: The Corporeal Turn in American Avant-Garde Film was published by Manchester University Press in 2014. Osterweil is Associate Professor of World Cinema and Cultural Studies at McGill University.

Marc Siegel is a professor of film studies at the Johannes Gutenberg University in Mainz and has published widely in the areas of experimental film and queer studies. He is co-editor of Film Culture 80: The Legend of Barbara Rubin (2018) and the author of A Gossip of Images (Duke University Press, forthcoming). Siegel is also co-founder of the Berlin-based artist’s collective CHEAP.

Juan Antonio Suárez is a professor of American studies at the University of Murcia, Spain. He is the author of Bike Boys, Drag Queens, and Superstars (Indiana University Press, 1996), Pop Modernism (University of Illinois Press, 2007), and Jim Jarmusch (University of Illinois Press, 2007) and has contributed essays to Grey Room, Screen, and The Journal of Cinema and Media Studies, as well as numerous edited volumes. He is currently completing the book Experimental Film and Queer Materiality.

Gregory Zinman is an associate professor in the School of Literature, Media, and Communication at Georgia Tech. As a postdoctoral fellow, he worked on the Nam June Paik Archive at the Smithsonian American Art Museum. He is the author of Making Images Move: Handmade Cinema and the Other Arts (University of California Press, 2020) and co-editor of We Are in Open Circuits: Writings by Nam June Paik (MIT Press, 2019).