What It Becomes

Aug 24, 2024–Jan 12, 2025


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Rick Bartow

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To create drawings like Autobiographical HawkRick Bartow began by making a few improvisational gestures on the page, gradually adding and erasing marks until figures emerged. Recalling the origin of his animal-human hybrid drawings, which he referred to as “transformational images,” Bartow explained: “One evening in my studio, I realized that I could draw motion—a single figure in action. . . .Then the drawings began to transform rapidly into split figures, two faces creating one, man and animal sharing bodies.” An artist of Wiyot heritage, Bartow was partially inspired by themes of shapeshifting that appear in certain Indigenous storytelling traditions. His confrontation of painful experiences from the Vietnam War also contributed to the development of his morphing figures; Bartow often described drawing as a curative process, a “fire of marks and color” that brings about renewal and healing.

Rick Bartow, Autobiographical Hawk, 1991

Abstract artwork featuring a figure in motion with swirling colors of green, yellow, and red hues.
Abstract artwork featuring a figure in motion with swirling colors of green, yellow, and red hues.

Rick Bartow, Autobiographical Hawk, 1991. Pastel and graphite on paper, 46 5/8 × 59 7/8 in. (118.4 × 152.1 cm). Whitney Museum of American Art, New York; gift of the Richard E. Bartow Trust 2022.69. © Richard E. Bartow Trust

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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