Wanda Gág’s World

Mar 28–Dec 2, 2024


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“Everything I looked at cried out to be captured”

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Gág preferred working in the countryside—first in rural Connecticut, later in New Jersey—where she felt most inspired to draw. Describing the productive summers she spent from 1925 to 1930 in a rented farmhouse she called Tumble Timbers, Gág wrote in her diary:

“Everything I looked at cried out to be captured and set down on paper. It mattered little whether I looked at a landscape or a junk heap, a cat or a flower or a weed, my Sears-Roebuck bed, or my bare kitchen—each thing had a personality and a life of its own, and all arranged themselves in ready-made compositions about me.” —Gág, diary entry, 1938

Backyard Corner, 1930

Detailed black and white etching of garden tools and objects, including buckets, a watering can, and a broken chair.
Detailed black and white etching of garden tools and objects, including buckets, a watering can, and a broken chair.

Wanda Gág, Backyard Corner, 1930. Lithograph, 16 × 22 3/4 in. (40.6 × 57.8 cm). Whitney Museum of American Art, New York; Purchase, with funds from The Lauder Foundation, Leonard and Evelyn Lauder Fund 96.68.118. © Estate of Wanda Gág



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Maya Man, A Realistic Day In My Life Living In New York City

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