Richard Artschwager!
Oct 25, 2012–Feb 3, 2013
Richard Artschwager's first solo exhibition was in 1965 at the age of forty-two at Leo Castelli Gallery. Since then his work has been shown throughout the world, and his enigmatic and diverse oeuvre has been influential, yet not thoroughly understood. This exhibition is a comprehensive review of Artschwager's remarkable creative exploration of the mediums of sculpture, painting, and drawing and the first retrospective exhibition of Artschwager's work since one organized at the Whitney in 1988.
Richard Artschwager! is organized by Jennifer Gross, Seymour H. Knox, Jr., Curator of Modern and Contemporary Art, Yale University Art Gallery.
This exhibition is organized by the Whitney Museum of American Art, New York, in association with the Yale University Art Gallery, New Haven.
Significant support for the Whitney's presentation is provided by the National Committee of the Whitney Museum of American Art, The Broad Art Foundation, The Andrew J. and Christine C. Hall Foundation, Allison and Warren Kanders, Norman and Melissa Selby, Alice and Tom Tisch, Mr. and Mrs. Harrison Augur, Diane and Adam E. Max, Francis H. Williams, and Ruth and William S. Ehrlich.
Events
View all-
Semi-Annual Breakfast with the Director
Monday, October 15, 2012
8:30–10 am -
Member Preview Day: Richard Artschwager!
Wednesday, October 24, 2012
12–6 pm -
Opening Reception for Fall Exhibitions
Wednesday, October 24, 2012
7:30–9:30 pm -
Learning Series Tour of Richard Artschwager!
Sunday, October 28, 2012
11 am–12 pm
Explore works from this exhibition
in the Whitney's collection
View 9 works
In the News
"Saltz: How I Came to Embrace Richard Artschwager's Weirdness"
—New York Magazine
"An Enigma Wrapped in Formica"
—The New York Times
"The Sculptor's Apprentices"
—The Wall Street Journal
"Richard Artschwager Does More With Less"
—New York Magazine
"Pill-shaped public art is popping up all around the High Line."
—DNA Info
"The Story Behind Richard Artschwager's Whitney Survey and High Line blps"
—ArtInfo
"Furniture-like in form, Artschwager’s cheerfully-coloured yet eerily blank works became the artist’s way of exploring his interest in mixing two- and three-dimensional perceptual experiences, surprising the viewer, making them look again."
—Another Magazine