Jennifer and Kevin McCoy: Public Key / Private Key

2019

Screenshot of a webpage describing the Public Key / Private Key project, a still from the project film behind the text.
Screenshot of a webpage describing the Public Key / Private Key project, a still from the project film behind the text.

Jennifer and Kevin McCoy, screenshot of Public Key / Private Key, 2019

Jennifer and Kevin McCoy’s Public Key/Private Key explores museums’ ownership of artworks and the role of donors in building collections. For the project, the artists donated an original 16mm film to the Whitney Museum of American Art Special Collection on behalf of the public. Visitors to the project page could register their names and explain why they wanted to become a donor; fifty were chosen based on the originality of their submission.

The acquisition of an artwork by a museum typically ends its market life and permanently associates the work’s donor with that gift. With Public Key/Private Key, the artists extended that commercial availability: each donor received a digital certificate that they could transfer, gift, or sell at will. The digital certificates are stored on a blockchain, a technology used in cryptocurrencies to ensure the uniqueness of a transaction. The blockchain becomes a method of recording the work’s provenance, as the list of fifty donors evolves over time with the transfer of the certificates. The donor list was tracked for six months on whitney.org. The McCoys’ film also has a blockchain key embedded in it, and, while it is shown as part of the artport exhibition at the Whitney, the first audience member to take note of and submit the key to the artists will become the fifty-first donor of record. Public Key/Private Key complicates the traditional relationship between museum, benefactor, and audience, turning the public into both viewers and donors, able to trade and transfer their title.

The original fifty donors for Public Key/Private Key were recorded through November 4, 2019.


Jennifer and Kevin McCoy (b. 1968; Sacramento, California; b. 1967; Seattle, Washington) create multimedia artworks that examine the genres and conventions of filmmaking, memory, and language. They are known for constructing subjective databases of narrative material and making fragmentary miniature film sets with lights, video cameras, and moving sculptural elements to create live cinematic events. Their work has been widely exhibited in the United States and internationally, including at the Centre Pompidou, Paris; the Museum of Modern Art (MoMA), New York; the British Film Institute, London; Kunstverein Hannover, Germany; the Beall Center for Art and Technology, University of California, Irvine; PKM Gallery, Beijing; the San Jose Museum of Art, California; Palazzo delle Papesse, Siena, Italy; the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts; the Sundance Film Festival; and Artists Space, New York. Their work is in the collections of the Whitney Museum; MoMA; the Metropolitan Museum of Art, New York; the Milwaukee Art Museum; the 21C Museum Hotels; and the Speed Art Museum, Louisville. They have received a Creative Capital Award (2002), the WIRED Rave Award for Art (2005), a Guggenheim Fellowship (2011), and a Headlands Alumni Award (2014).


Donors of record

Tim Medland

Sylvia Grace Borda

J. Arakaki

Theo Haegele

Misha Libman

Adrian Pobric

Janet M. Wolski

Laura Fong

Alexis Hyde

Rita Guimarães

@zaphodok

Julia Bradshaw

Donna Champion

Aubree J. Penney

William Miles Nathan

Danny Goodwin

Jon Bella

Paul D. McNair

pandasnetwork.org

Patrick Meagher

Noa Dolberg

Taylor Healy

Anne Bracegirdle

Vladimir Ivanov

Haley Patterson

Dr. Aaron R. Brough

Sherone Rabinovitz

Peter Rostovsky

John Powers

Furtherfield

Jennifer Dalton

William Powhida

Michael Connor

Tim Whidden

Miyoung Lee

Jack + Leigh Ruby

Bert Green

Travis LeRoy Southworth

Michael Mandiberg

Christen Clifford

Man

Patrick Lichty

Jennifer L. Ball

Paddy Anne Johnson

Yael Kanarek

LoVid

Mark Tribe

Bob Szantyr

David Grubbs

Todd Mueller


Press highlights

"Artists Jennifer and Kevin McCoy combine an essay contest, a mysterious film, and a blockchain to shift the debate about arts patronage."
—artnet


artport

View more on artport, the Whitney Museum's portal to internet art and its online gallery space for commissions of net art.


On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

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