Jennifer and Kevin McCoy: Public Key / Private Key
2019
Jennifer and Kevin McCoy: Public Key / Private Key
Jennifer and Kevin McCoy’s Public Key/Private Key explores museums’ ownership of artworks and the role of donors in building collections. For the project, the artists donated an original 16mm film to the Whitney Museum of American Art Special Collection on behalf of the public. Visitors to the project page could register their names and explain why they wanted to become a donor; fifty were chosen based on the originality of their submission.
The acquisition of an artwork by a museum typically ends its market life and permanently associates the work’s donor with that gift. With Public Key/Private Key, the artists extended that commercial availability: each donor received a digital certificate that they could transfer, gift, or sell at will. The digital certificates are stored on a blockchain, a technology used in cryptocurrencies to ensure the uniqueness of a transaction. The blockchain becomes a method of recording the work’s provenance, as the list of fifty donors evolves over time with the transfer of the certificates. The donor list was tracked for six months on whitney.org. The McCoys’ film also has a blockchain key embedded in it, and, while it is shown as part of the artport exhibition at the Whitney, the first audience member to take note of and submit the key to the artists will become the fifty-first donor of record. Public Key/Private Key complicates the traditional relationship between museum, benefactor, and audience, turning the public into both viewers and donors, able to trade and transfer their title.
The original fifty donors for Public Key/Private Key were recorded through November 4, 2019.
Jennifer and Kevin McCoy (b. 1968; Sacramento, California; b. 1967; Seattle, Washington) create multimedia artworks that examine the genres and conventions of filmmaking, memory, and language. They are known for constructing subjective databases of narrative material and making fragmentary miniature film sets with lights, video cameras, and moving sculptural elements to create live cinematic events. Their work has been widely exhibited in the United States and internationally, including at the Centre Pompidou, Paris; the Museum of Modern Art (MoMA), New York; the British Film Institute, London; Kunstverein Hannover, Germany; the Beall Center for Art and Technology, University of California, Irvine; PKM Gallery, Beijing; the San Jose Museum of Art, California; Palazzo delle Papesse, Siena, Italy; the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts; the Sundance Film Festival; and Artists Space, New York. Their work is in the collections of the Whitney Museum; MoMA; the Metropolitan Museum of Art, New York; the Milwaukee Art Museum; the 21C Museum Hotels; and the Speed Art Museum, Louisville. They have received a Creative Capital Award (2002), the WIRED Rave Award for Art (2005), a Guggenheim Fellowship (2011), and a Headlands Alumni Award (2014).
Donors of record
Tim Medland
Sylvia Grace Borda
J. Arakaki
Theo Haegele
Misha Libman
Adrian Pobric
Janet M. Wolski
Laura Fong
Alexis Hyde
Rita Guimarães
@zaphodok
Julia Bradshaw
Donna Champion
Aubree J. Penney
William Miles Nathan
Danny Goodwin
Jon Bella
Paul D. McNair
pandasnetwork.org
Patrick Meagher
Noa Dolberg
Taylor Healy
Anne Bracegirdle
Vladimir Ivanov
Haley Patterson
Dr. Aaron R. Brough
Sherone Rabinovitz
Peter Rostovsky
John Powers
Furtherfield
Jennifer Dalton
William Powhida
Michael Connor
Tim Whidden
Miyoung Lee
Jack + Leigh Ruby
Bert Green
Travis LeRoy Southworth
Christen Clifford
Man
Patrick Lichty
Jennifer L. Ball
Paddy Anne Johnson
Mark Tribe
Bob Szantyr
David Grubbs
Todd Mueller
Press highlights
"Artists Jennifer and Kevin McCoy combine an essay contest, a mysterious film, and a blockchain to shift the debate about arts patronage."
—artnet
artport
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