Mendi + Keith Obadike
August 2002
The real life of new media artists Mendi + Keith Obadike is like a Phillip K. Dick story starring Ruby Dee and Ossie Davis with a laptop and a dial-up connection. Their music, sound art, and text-based Internet art works have been exhibited throughout the United States and Europe. Their projects include explorations of the sounds of sex toys, electronic race marketing, and visualization of untold stories as disappearing hypertext. Their writing has been featured in the film Take These Chains, in periodicals (including Art Journal, Artthrob, Indiana Review, Black Arts Quarterly, and Tema Celeste), and in the upcoming anthology Sound Unbound: Writings on Contemporary Multi-Media and Music culture (edited by Paul D. Miller). Their honors include the John Hope Franklin Documentary Award (1998), the Andrew W. Mellon Fellowship in Humanistic Studies (1995), a nomination for the Rockefeller New Media Award (2001), and the Franklin Furnace Performance Art Award (2002).
Mendi and Keith have organized public projects like the African Diaspora Film Series at the Center for Documentary Studies (1999-2000), the United Nations' Dialogue through Poetry event in Durham, North Carolina (2000), and the North Carolina exhibition of the national project To Conserve a Legacy: American Art from Historically Black Colleges and Universities (curated by Richard Powell and Jock Reynolds). They recently premiered their Internet opera The Sour Thunder at Yale (commissioned by the Yale Cabaret) and gave a special performance at the Studio Museum in Harlem. In October 2002, they will release an audio cd of The Sour Thunder. They are presently developing a debutante ball for the Web that will launch from New York in late spring 2003.
Gate Pages
Every month from March 2001 to February 2006 an artist was invited to present their work in the form of a “Gate Page” on artport. Each of these pages functioned as a portal to the artist's own sites and projects.
Wherever necessary and possible, these works are made functional through emulation and reconstructions from the Internet Archive. Not all of them have been restored to their original state and their conservation is ongoing. You can also view the original Gate Pages archive to see how they were presented at the time of their creation.
artport
See more on artport, the Whitney Museum's portal to Internet and new media art.
