Jeff Koons: A Retrospective

June 27–Oct 19, 2014

A brightly-colored abstract painting by Jeff Koons. Balloons against a silver backdrop.
A brightly-colored abstract painting by Jeff Koons. Balloons against a silver backdrop.

Jeff Koons, Tulips, 1995–98. Oil on canvas; 111 3⁄8 x 131 in. (282.9 x 332.7cm). Private collection. © Jeff Koons

Jeff Koons is widely regarded as one of the most important, influential, popular, and controversial artists of the postwar era. Throughout his career, he has pioneered new approaches to the readymade, tested the boundaries between advanced art and mass culture, challenged the limits of industrial fabrication, and transformed the relationship of artists to the cult of celebrity and the global market. Yet despite these achievements, Koons has never been the subject of a retrospective surveying the full scope of his career. Comprising almost 150 objects dating from 1978 to the present, this exhibition will be the most comprehensive ever devoted to the artist’s groundbreaking oeuvre. By reconstituting all of his most iconic works and significant series in a chronological narrative, the retrospective will allow visitors to understand Koons’s remarkably diverse output as a multifaceted whole.

This exhibition will be the artist’s first major museum presentation in New York, and the first to fill nearly the entirety of the Whitney's Marcel Breuer building with a single artist’s work. It will also be the final exhibition to take place there before the Museum opens its new building in the Meatpacking District in 2015. 

Jeff Koons: A Retrospective is organized by Scott Rothkopf, Nancy and Steve Crown Family Curator and Associate Director of Programs.

The exhibition travels to the Centre Pompidou, Musée national d’art moderne, Paris (November 26, 2014–April 27, 2015) and to the Guggenheim Bilbao (June 12–September 27, 2015).


Leadership support for this exhibition is provided by

The exhibition is sponsored by

Significant support is provided by Neil G. Bluhm; Steven A. and Alexandra M. Cohen Foundation, Inc.; Susan and John Hess; Cari and Michael J. Sacks; and the National Committee of the Whitney Museum of American Art.

Major support is provided by Anne Cox Chambers, Nancy C. and A. Steven Crown, Stefan Edlis and Gael Neeson, Lise and Michael Evans, Anne Dias Griffin and Kenneth Griffin, Dakis Joannou, Allison and Warren Kanders, Amy and John Phelan, Brett and Daniel Sundheim, and David Zwirner Gallery.

Generous support is provided by The Broad Art Foundation; Melva Bucksbaum and Raymond Learsy; Wendy Fisher; Mr. and Mrs. J. Tomilson Hill; Antonio Homem, Sonnabend Gallery; Miyoung Lee and Neil Simpkins; Liz and Eric Lefkofsky; Linda and Harry Macklowe; the Mugrabi Collection; Brooke and Daniel Neidich; Almine Rech Gallery; David Teiger; and Fern and Lenard Tessler.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Opening Dinner sponsored by


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Banality

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Expanding on the lowbrow subjects of Statuary, Koons’s next series, Banality, ventured further into the realm of kitsch. Unlike his earlier sculptures based on readymade sources, those in Banality are mash-ups of stuffed animals, gift shop figurines, and images taken from magazines, product packaging, films, and even Leonardo da Vinci. Nothing was too corny, too cloying, or too cute. Working with traditional German and Italian craftsmen who made decorative and religious objects, Koons enlarged his subjects and rendered them in gilt porcelain and polychromed wood, materials more associated with housewares and tchotchkes than contemporary art. As with his previous series, he conceived of Banality as an elaborate allegory, this one aimed at freeing us to embrace without embarrassment our childhood affection for toys or the trinkets lining our grandparents’ shelves.

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Amore, 1988

A sculpture of a teddy bear doll with a child's face.
A sculpture of a teddy bear doll with a child's face.

Jeff Koons, Amore, 1988. Porcelain; 32 x 20 x 20 in. (81.3 x 50.8 x 50.8 cm). Lehmann-Art Ltd. © Jeff Koons

This porcelain sculpture depicts a Cabbage Patch Kid dressed in a bear costume to which Koons has added a heart sticker, a pot of jam, and other decorative elements. Such dolls were popular in the 1980s among children and adult collectors but in Koons’s hands the soft and loveable plush toy becomes a cold and hard statue. “Everything here is a metaphor for the viewer’s guilt and shame,” he commented. “Art can be a horrible discriminator. It can be used either to be uplifting and to give self-empowerment or to debase people and disempower them. And on the tightrope in between, there’s one’s cultural history. These images are aspects from my own, but everybody’s cultural history is perfect, it can’t be anything other than what it is—absolute perfection. <i>Banality</i> was the embracement of that.”

Events

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Audio guides

A brightly-colored abstract painting by Jeff Koons. Balloons against a silver backdrop.
A brightly-colored abstract painting by Jeff Koons. Balloons against a silver backdrop.

Jeff Koons, Tulips, 1995–98. Oil on canvas; 111 3⁄8 x 131 in. (282.9 x 332.7cm). Private collection. © Jeff Koons

This audio guide features commentary by artist Jeff Koons, Scott Rothkopf, the Whitney's Nancy and Steve Crown Family Curator and Associate Director of Programs, Michelle Kuo, editor of Artforum magazine, and Amy Adler, the Emily Kempin Professor at New York University Law School.

View guide

Explore works from this exhibition
in the Whitney's collection

View 5 works

In the News

"He's a marvelous artist . . . a master with formidable aesthetic intelligence and a very great deal of nerve."
—The New Yorker (audio slide show)

"Lucid, challenging, brilliantly installed"
—The New York Times

"The perfect final show for the Whitney’s building."
—New York Magazine

"The Whitney show makes a strong case for the rigor and, often, the beauty of Koons’s art, justifying the avidity of the collectors for whom his works are coveted trophies."
—The New Yorker

"At 59, Mr. Koons may be one of the most famous living artists around—and the most expensive at auction. . . . But this will be the first time American audiences will see the sweep of his more than three-decade career in one gulp, 1978 to the present."
—The New York Times

"Jeff Koons, Man of the Hour"
—W Magazine


By the Numbers: The Facts and Figures Behind Jeff Koons’s Massive, Awe-Inspiring Show at the Whitney
—T Magazine

Video: "Jeff Koons' Philosophy of Perfection"
—Nowness

"If you’ve been having trouble sleeping lately, it’s probably due to the unquenchable feeling of excitement and anticipation roiling the city—if not the world—in the lead up to the Whitney Museum’s Jeff Koons: A Retrospective."
—Gallerist

"What Inspires Me Is Feeling" by Jeff Koons
—Art in America

"How to Make a Koons"
—Vanity Fair

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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