Throughout his career, Hopper explored the city with sketchbook in hand, recording his observations through drawing. A substantial volume of sketches and preparatory studies charts Hopper’s favored locations across New York, many of which the artist returned to again and again in order to capture different impressions that he could later explore on canvas.
Hopper described his on-site sketching process as working “from the fact,” an effort to collect details directly from the world around him. These sketches greatly informed his paintings, and in certain compositions based on specific sites, Hopper’s final works hew closely to his fastidious studies. More commonly, Hopper painted an imagined New York, one in which he synthesized elements from disparate locations—a revolving door, shadows on a facade—and altered them to suit his interests.
