Course of Empire: Paintings by Ed Ruscha

Nov 17, 2005–Jan 29, 2006

Low-angle view of a white building roof with colorful Korean and Chinese signage.
Low-angle view of a white building roof with colorful Korean and Chinese signage.

Edward Ruscha, The Old Tool & Die Building, 2004. Acrylic and colored pencil on canvas, overall: 52 1/8 × 116 1/8 in. (132.4 × 295 cm). Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2005.135. © Ed Ruscha

Course of Empire: Paintings by Ed Ruscha, the United States’ contribution to this year’s Venice Biennale, has its only presentation in the United States at the Whitney. A contemporary master and one of the most influential artists at work today, Ed Ruscha has redefined our vision of the American landscape. In this series of paintings, inspired by 19th-century American artist Thomas Cole's cycle The Course of Empire, Ruscha revisits his own 1992 series of five black-and-white Blue Collar paintings, making a new color picture in response to each of the original works. As described in a brochure written for the Venice exhibition, Ruscha. like Cole, "makes progress his subject. . . . But whereas Cole chronicles the ravages of an overcivilized culture on an untrammeled American landscape, Ruscha’s images quietly remark on how ‘change comes over things.’" A catalogue from the Venice presentation accompanies the exhibition.

Course of Empire: Paintings by Ed Ruscha was presented by the Whitney in association with the Harvard University Art Museums. The exhibition was curated by Donna DeSalvo and Linda Norden.


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