Bunny Rogers: Brig Und Ladder
July 7–Oct 9, 2017
Bunny Rogers (b. 1990), still from A Very Special Holiday Performance in Columbine Auditorium, 2017. Video, color, sound. Collection of the artist; courtesy Société, Berlin
In her work, Bunny Rogers draws from a personal cosmology to explore universal experiences of loss, alienation, and a search for belonging. Her layered installations, videos, and sculptures begin with wide-ranging yet highly specific references, from young-adult fiction and early 2000s cartoons, like Clone High, to autobiographical events and violent media spectacles, such as the 1999 Columbine High School shooting. Rogers’s techniques are equally idiosyncratic. She borrows from theater costuming, design, and industrial furniture manufacturing, and often crafts her work by hand. This hybrid approach gives Rogers’s objects and spaces a distinct texture; they read simultaneously as slick and intimate, highly constructed but also sincere.
For her first museum solo show in the United States, Rogers creates a new body of work. The exhibition is on view in the John R. Eckel, Jr. Foundation Gallery on the Museum's first floor, which is free and open to the public.
This exhibition is organized by Elisabeth Sherman, assistant curator and Margaret Kross, curatorial assistant.
Major support for Bunny Rogers: Brig Und Ladder is provided by John R. Eckel, Jr. Foundation.
Generous support is provided by Jackson Tang.
Artworks
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: A Very Special Holiday Performance in Columbine Auditorium, 2017; Columbine Auditorium seating, 2017; Tilikum body pillow, 2017. Photograph by Ron Amstutz
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: A Very Special Holiday Performance in Columbine Auditorium, 2017; Tilikum body pillow, 2017. Photograph by Bill Orcutt
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: A Very Special Holiday Performance in Columbine Auditorium, 2017; Tilikum body pillow, 2017; Columbine Auditorium seating, 2017. Photograph by Bill Orcutt
Bunny Rogers. Installation view. Ladder 13, 2017. Wood and gel-based ink (Sakura Gelly Roll pen). Collection of the artist; courtesy Société, Berlin. Photograph by Bill Orcutt
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: Memorial wall (fall), 2017; Lady train set, 2017; Ladder 12, 2017; Ladder 14, 2017; Ladder 13, 2017. Photograph by Bill Orcutt
Installation view of Bunny Rogers: Brig Und Ladder. From left to right: Mop 12, 2017; Mop 14, 2017; Computer chair A (Reject), 2017; Computer chair D (Reject), 2017; Computer chair C (Reject), 2017; Memorial wall (fall), 2017. Photograph by Bill Orcutt
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: Computer chair A (Reject), 2017; Computer chair D (Reject), 2017; Computer chair C (Reject), 2017. Photograph by Bill Orcutt
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: Memorial wall (fall), 2017; Lady train set, 2017; Ladder 12, 2017; Ladder 14, 2017; Mop 12, 2017. Photograph by Bill Orcutt
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: Mop 12, 2017; Mop 14, 2017; Computer chair A (Reject), 2017; Computer chair D (Reject), 2017; Computer chair C (Reject), 2017; Memorial wall (fall), 2017; Lady train set, 2017. Photograph by Bill Orcutt
Bunny Rogers. Installation view. Lady train set, 2017. Wood, latex paint with chalk, and snail fossil. Collection of the artist; courtesy Société Berlin. Photograph by Bill Orcutt
Bunny Rogers. Installation view. Memorial wall (fall), 2017. Aluminum and inkjet prints on die-cut paper with ribbons. Collection of the artist; courtesy Société Berlin. Photograph by Bill Orcutt
Installation view of Bunny Rogers: Brig Und Ladder (Whitney Museum of American Art, New York, July 7–October 9, 2017). From left to right: Ladder 12, 2017; Ladder 14, 2017; Ladder 13, 2017; Mop 13, 2017; Mop 12, 2017. Photograph by Bill Orcutt
Events
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Essay
Remnants and Remembrance
By Elisabeth Sherman and Margaret Kross
"Neopets, The Walking Dead, Clone High, totem pole trench trope, Silence of the Lambs, Picasso’s harlequins, Tilikum, Flowers for Algernon, Lady Train, The Green Ribbon, The Ice Palace. Bunny Rogers is a collector of cultural artifacts."
In the News
"Stepping into a Bunny Rogers exhibition has the effect of a teleportation device."
–VICE
"Bunny Rogers grew up on the internet, and her art vividly conveys a childhood lived partly in the real world and partly online.”
–TimeOut
"With Brig Und Ladder, Rogers once again exquisitely portrays a troubled mythic realm, quiet in the wake of violence.”
–The New Yorker
"There is no denying her skill in creating ambience and mood, her consummate craftsmanship and stagecraft, or her fascinatingly idiosyncratic re-envisioning of iconic images and events.”
–VICE