Whitney Biennial 2000
Mar 23–June 4, 2000
Artists
More from this series
Learn more about the Whitney Biennial, the longest-running survey of American art.
Installation Photography

Installation view of 2000 Biennial Exhibition (Whitney Museum of American Art, March 23–June 4, 2000). Left to right: Chakaia Booker, It’s So Hard to be Green, 2000; John Currin, Homemade Pasta, 1999; John Currin, Old Fence, 1999; John Currin, Stamford After Brunch, 2000. Photograph by Jerry L. Thompson


Installation view of 2000 Biennial Exhibition (Whitney Museum of American Art, March 23–June 4, 2000). Left to Right: Richard Tuttle, “Rough Edges, 1”, 1999; Richard Tuttle, “Rough Edges, 2”, 1999; Richard Tuttle, “Rough Edges, 3”, 1999; Richard Tuttle, “Rough Edges, 4”, 1999; Richard Tuttle, “Rough Edges, 5”, 1999; Joseph Havel, Table Cloth, 1999; Richard Tuttle, Curtains, 1999; Ingrid Calame, b-b-b,rr-gR-UF!, b-b-b, 1999; Ghada Amer, Untitled(John Rose), 1999. Photograph by Jerry L. Thompson


Installation view of 2000 Biennial Exhibition (Whitney Museum of American Art, March 23–June 4, 2000). Left to right: Louise Lawler, Pink and Yellow and Black I (Red Disaster), from the series On a Wall, On a Cow, In a Book, In the Mail, 1999; Krysztof Wodiczko, Agis: Equipment for a City of Strangers, 1999; Al Souza, The Peaceful Kingdom, 1998. Photograph by Jerry L. Thompson


Installation view of 2000 Biennial Exhibition (Whitney Museum of American Art, March 23–June 4, 2000). Left to right: Sarah Sze, Strange Atractor, 2000; Linda Besemer, Zip Fold #1, 1999; Joseph Marioni, Red Painting, 1999; Joseph Marioni, White Painting, 1999; Joseph Marioni, Blue Painting, 1997; Linda Besemer. Photograph by Jerry L. Thompson
