Whitney Biennial 1995

Installation photography

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Terry Winters, Matching Regions (1994); Lari Pitman, Untitled #16 (1993); Lari Pitman, Untitled #30 (1993). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Terry Winters, Matching Regions (1994); Terry Winters, Phase Plane Portrait (1994); Helen Marden, Untitled (1994); Helen Marden, Untitled(Rasa 2) (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Stephen Mueller, Hey, Tira Mi Su (1994–95); Stephen Mueller, Next to Last Time (1994); Philip Taaffe, Stele (1995); Philip Taaffe, Black Volta (1994–95). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). Jason Rhoades, My Brother Brancusi (1995). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Christian Schumann, Untitled (Congeal Ed) (1993); Christian Schumann, Untitled (1993); Julio Galán, One Week (1993). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Sam Reveles, Hijo de Brujeria (1995); Sam Reveles, Fatherless Eurotas (1994); Lawrence Weiner; Siobhan Liddell, Installation (Three Parts) (1995). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Agnes Martin, Untitled #3 (1993); Agnes Martin, Untitled #1 (1993); Agnes Martin, Untitled #2 (1993); Charles Ray, Puzzle Bottle (1995); Lawrence Weiner, Untitled (#750) (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). Nicole Eisenman, Exploding Whitney Mural (1995). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Carroll Dunham, Green Demon (1993–94); Sue Williams, The Hose (1994); Alan Turner, Server (1993); Alan Turner, Untitled (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Cindy Sherman, Untitled (1995); Cindy Sherman, Untitled (1995); Bessie Harvey, Peace (1994); Bessie Harvey, Cross Bearers (1992–93); Nancy Rubin, Mattresses and Cakes (1993); Peter Cain, Little Colonel (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Carroll Dunham, Ruby Vision (1994); Bessie Harvey, Cross Bearers (1992–93); Peter Cain, Saturday Disaster (1994); Bessie Harvey, Peace (1994); Peter Cain, Little Colonel (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Greer Lankin, Oh, Hi Hon (God What a Mess) (1995); Greer Lankin, More Morphine He Mumbled . . . (1995); Greer Lankin, Blue Babe (1995); Greer Lankin, Candy Darling (1995); Nan Goldin, Tokyo Love (1994–95). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Frank Moore, Yosemite (1993); Frank Moore, Freedom to Share (1994); M. Rees, Untitled (1995); Catherine Opie. Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Milton Resnick, Woman (1994); Richard Serra, For Primo Levi (1992); Judy Linn, Untitled (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Richard Serra, For Primo Levi (1992); Barry Le Va, Separated Animations: Groupings, Configurations, Proportions, Materials (Arrangements according to function) (1994–95). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Frank Moore, Niagara (1994); Sue Williams, We turn Back (1994); Sue Williams, Pink Spot (1994); Peter Saul, Last Judgement (1993); Peter Saul, God Created Woman (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: David Armstrong; Nari Ward, Peace Keeper. Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Nan Goldin, Tokyo Love (1994–95); Nari Ward, Peace Keeper (1995); Nancy Rubin, Mattresses and Cakes (1993). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Nari Ward, Peace Keeper (1995); Nari Ward, Iron Heavens (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Toba Khedoori, Untitled (1993); Toba Khedoori, Untitled (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Brice Marden, February in Hydra (1991–94); Brice Marden, Muses (Hydra Version) (1991–94); Andrew Lord, Jug, Vase and Dish: Tasting (1994–95). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: Helen Marden, Rosa #2 (1994–95); Helen Marden, Untitled (1994–95); Helen Marden, Kagera R (1994–95); Helen Marden, Kagera R2 (1994–95). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: David Knudsvig, Cteno-ink; David Knudsvig, Cteno-cherrywood; Sam Reveles, Hijo de Brujeria (1995). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). From left to right: David Knudsvig, Cteno-cherrywood; Joe Zucker, Walleye (1993); Ellen Gallagher, Babble (1994); Ellen Gallagher, Afro Mountain (1994). Photograph by Geoffrey Clements

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  Installation view of the 1995 Biennial Exhibition (Whitney Museum of American Art, New York, March 15–June 25, 1995). Gabriel Orozco, Elevator (1994). Photograph by Geoffrey Clements