Second Biennial Exhibition: Part Two—Watercolors and Pastels
Feb 18–Mar 18, 1936
Catalogue cover for Second Biennial Exhibition Part Two—Watercolors, and Pastels
View the full exhibition catalogue at the Internet Archive.
Artists
- Boris Aronson
- Milton Avery
- Jozef G. Bakos
- Charles Baskerville
- Reynolds Beal
- Cecil C. Bell
- George Biddle
- Lucile Blanch
- Julius Bloch
- Edgar Bohlman
- Aaron Bohrod
- Arthur Bowes
- Fiske Boyd
- Edgar Britton
- Charles Burchfield
- Henri Burkhard
- Nathaniel C. Burwash
- Clarence Holbrook Carter
- Francis Chapin
- Lydia Cooley
- Lucille Corcos
- Gustaf Dalstrom
- Andrew Dasburg
- Randall Davey
- Stuart Davis
- Horace Day
- Walt Dehner
- Nathaniel Dirk
- Peggy Dodds
- Stevan Dohanos
- Thomas Donnelly
- Raymond Baxter Dowden
- Elsie Driggs
- Stuart Edie
- Louis M. Eilshemius
- Louis G. Ferstadt
- Ernest Fiene
- George Franklin
- Susan Frazier
- Karl Free
- Emil Ganso
- Harry Gottlieb
- Jack J. Greitzer
- George Grosz
- Perkins Harnly
- Abraham Harriton
- Marsden Hartley
- Bertram Hartman
- Harry Hering
- Eugene Higgins
- Emil Holzhauer
- Edward Hopper
- Earl Horter
- Loretta Howard
- Neil McDowell Ives
- Charles Kaeselau
- Henry G. Keller
- Paul Kelpe
- Georgina Klitgaard
- Stewart Klonis
- Karl Knaths
- Hayley Lever
- L. Jean Liberte
- John Ward Lockwood
- John Lonergan
- S. L. Margolies
- John Marin
- Reginald Marsh
- Jan Matulka
- Helen McAuslan
- David McCosh
- Austin Mecklem
- William Meyerowitz
- Bruce Mitchell
- Elliot Orr
- Harley Perkins
- George Picken
- Hobson Pittman
- Philip Reisman
- Louis Ribak
- Caroline Speare Rohland
- Paul Rohland
- Sanford Ross
- Paul Starrett Sample
- Saul Schary
- Henry Schnakenberg
- Georges Schreiber
- Millard Sheets
- Martha Simpson
- Alice R. Huger Smith
- Jacob Getlar Smith
- Miron Sokole
- Moses Soyer
- Carl Sprinchorn
- Harwood Steiger
- Joseph Stella
- Anne Ophelia Todd
- Herman Trunk, Jr.
- Allen Tucker
- Stuyvesant Van Veen
- Abraham Walkowitz
- Max Weber
- Isabel L. Whitney
- John Whorf
- William Zorach
In the News
“. . . alive with interest; rich in experimentation, in varied points of view.” —The New York Times
“. . . this show appears, all in all, intensely American.” —The New York Times
“. . . as fine an exhibition of the work being done in water color and pastel as any seen by your reviewer in recent years.” —The American Magazine of Art
“. . . it takes a show like this to demonstrate that the unknown beside the known artist often looks as well, if not better.” —Parnassus
“The show offers, through a wide selection and variety of taste, a pretty comprehensive outline of what artists are thinking in paint, and what currents are flowing through the artistic opinions of today.” —The Washington Post
More from this series
Learn more about the Whitney Biennial, the longest-running survey of American art.