At Odds With

May 9, 2024–May 24, 2024

Split screen with a hand holding a number 7 card on the left and a child in a hood showing a bag with colorful contents on the right.

2024 ISP Studio Exhibition
May 9, 2024–May 24, 2024

Westbeth Gallery, 55 Bethune Street
Opening: Thursday, May 9, 6–8 pm

Gallery Hours for ISP: Wednesday–Sunday: 1-6 pm; Closed Monday, Tuesday

The Studio Program exhibition, At Odds With, presents recent work by the 2023–24 Elaine G. Weitzen Studio Program Fellows S Emsaki, Kimi Hanauer, sadé powell, Albert Samreth, Shobun Baile, Mae Howard, Alison Nguyen, Elliot Reed, Omolola Ajao, José De Sancristóbal, Daniel Ramos, tarah douglas, Kearra Amaya Gopee, Emily Velez Nelms, and Jennifer Teresa Villanueva, and Helena Rubinstein Curatorial Fellow Ella den Elzen. Curated by Juana Berrío, the exhibition will be on view May 9–24 at Westbeth Gallery, a nonprofit fine arts gallery located across the street from the ISP at 55 Bethune St, New York, NY 10014. An opening reception for At Odds With will be held at Westbeth Gallery on Thursday, May 9 from 6–8 pm.

Wheelchair Accessibility
The Westbeth Gallery is located within a courtyard, which has two step-free accessible entrances.

Bank Street Courtyard Entrance
The doorway from the street leads directly to a ramp, providing access to the courtyard. From there, proceed straight ahead and then turn left to reach the main gallery doors.

55 Bethune Street Entrance
A ramp with handrails guides you from the sidewalk to the lobby. Upon entering the lobby, turn right and continue to the end of the hallway. Pass through the two sets of push-button glass doors that will lead you to the courtyard. Once in the courtyard, go straight ahead and then turn right to reach the gallery doors.

Westbeth gallery has a wheelchair accessible bathroom.

There is no ticketing required, admission is free.

Studio Program Elaine G. Weitzen Fellows
Omolola Ajao
Shobun Baile
tarah douglas
Ella den Elzen
S Emsaki
Kearra Amaya Gopee
Kimi Hanauer
Mae Howard
Emily Velez Nelms
Alison Nguyen
sadé powell
Daniel Ramos
Elliot Reed
Albert Samreth
José De Sancristóbal
Jennifer Teresa Villanueva

Helena Rubinstein Curatorial Program Fellow
Ella den Elzen

Curator
Juana Berrío

Events

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Installation Photography

Modern art gallery with wooden floors, featuring two screens, a cylindrical black sculpture, and framed artworks on the wall.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Emily Velez Nelms, Let My Understandings At Times, Allow Me To Rest A While, 2024; Emily Velez Nelms, A Meditation On Two Kinds of Voyeurism or An Object Who Knows Themself To Be Seen, 2024; José De Sancristóbal, Companion, 2024; Tarah Douglas, Forge, 2024; Tarah Douglas, Could Cause You to Remain or, 2024; Tarah Douglas, Forgo Marrow, 2024; Tarah Douglas, Untitled (come meridian and meridian come), 2024. Photograph by Filip Wolak

Art gallery with wooden floors, featuring digital art, framed photos, and a painting with red curtains. Yellow-tinted room visible in the background.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Emily Velez Nelms, Let My Understandings At Times, Allow Me To Rest A While, 2024; Tarah Douglas, Forge, 2024; Tarah Douglas, Could Cause You to Remain or, 2024; Tarah Douglas, Forgo Marrow, 2024; Alison Nguyen, Change Order, 2024; Tarah Douglas, Untitled (come meridian and meridian come), 2024. Photograph by Filip Wolak

Art gallery with various installations, including a hanging sculpture, wall art, and a fabric piece on the wooden floor. Red curtains in the background.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Tarah Douglas, Untitled (come meridian and meridian come), 2024; Kimi Hanauer, there / is / only / now, 2024; Omolola Ajao, Psalm XIX. Obligatory, 2024; sadé powell, unentitled [haveyourjoyraw], 2024; Daniel Ramos, For Peter Hujar, 2024; Daniel Ramos, For David Wojnarowicz, 2024; Mae Howard, Icarus, 2024; Daniel Ramos, One segment from La Casa de La Señora Manuelita Capetillo en La Calle Barcelona, Colonia España, 2024. Photograph by Filip Wolak

A minimalist gallery room with two video projections on one wall and a TV screen on another, showing various scenes. Two chairs and a bench are present.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: S Emsaki, Crude education, 1908-ongoing; Shobun Baile, The Resting Current, 2024. Photograph by Filip Wolak

Art gallery with wooden podium, abstract wall art, floor installation, and hanging sculpture. Bright lighting and wooden flooring.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Omolola Ajao, Psalm XIX. Obligatory, 2024; sadé powell, unentitled [haveyourjoyraw], 2024; S Emsaki, matter of time, 2024; Albert Samreth, Waiver (White Flag), 2024. Photograph by Filip Wolak

A minimalist room with wooden floors, a slanted metal structure with fabric, a small metal table, and a projector mounted on the wall.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). Kearra Amaya Gopee, divinity surplus, 2024. Photograph by Filip Wolak

A room with yellow translucent curtains, a wooden pedestal with a projector, and the text "Where is the wrench in the machine" on the wall.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). Alison Nguyen, Change Order, 2024. Photograph by Filip Wolak

Modern art gallery with various installations, sculptures, and mixed media artworks displayed on white walls and wooden floors.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Elliot Reed, Bouquet, 2024; Emily Velez Nelms, Let My Understandings At Times, Allow Me To Rest A While, 2024; Emily Velez Nelms, A Meditation On Two Kinds of Voyeurism or An Object Who Knows Themself To Be Seen, 2024; Mae Howard, Velocity of a swing, 2024; Kimi Hanauer, there / is / only / now, 2024; José De Sancristóbal, Companion, 2024; Mae Howard, Icarus, 2024; Ella den Elzen, Razzle dazzle, 2024; Daniel Ramos, For Peter Hujar, 2024; Daniel Ramos, For David Wojnarowicz, 2024; Daniel Ramos, One segment from La Casa de La Señora Manuelita Capetillo en La Calle Barcelona, Colonia España, 2024. Photograph by Filip Wolak

Courtyard of a white brick building with large windows, featuring an art exhibition titled "Whitney ISP 23/24 Studio Exhibition" and "At Odds With."

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). Photograph by Filip Wolak

Art gallery with three pieces: a wooden collage, a photograph of people on a balcony, and a large mural of a mountain landscape.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Daniel Ramos, One segment from La Casa de La Señora Manuelita Capetillo en La Calle Barcelona, Colonia España, 2024; Jennifer Teresa Villanueva, Día de la Independencia / Independence Day, 2022; Jennifer Teresa Villanueva, Monterrey, N.L., México, 2024. Photograph by Filip Wolak

Spacious art gallery with wooden floors, various modern art installations, and bright overhead lighting. Large windows and an exit door in the background.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Ella den Elzen, Razzle dazzle, 2024; Kimi Hanauer, there / is / only / now, 2024; Daniel Ramos, For Peter Hujar, 2024; Daniel Ramos, One segment from La Casa de La Señora Manuelita Capetillo en La Calle Barcelona, Colonia España, 2024; Mae Howard, Icarus, 2024; Jennifer Teresa Villanueva, Monterrey, N.L., México, 2024; Mae Howard, Velocity of a swing, 2024; Elliot Reed, Bouquet, 2024. Photograph by Filip Wolak

Two colorful collage artworks hang on a white wall in a gallery with wooden floors and an open doorway to the left.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Daniel Ramos, For Peter Hujar, 2024; Daniel Ramos, For David Wojnarowicz, 2024. Photograph by Filip Wolak

Art gallery with three framed black-and-white photos on the left wall and a large painting with red curtains on the right. Wooden floor.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Tarah Douglas, Forge, 2024; Tarah Douglas, Could Cause You to Remain or, 2024; Tarah Douglas, Forgo Marrow, 2024; Alison Nguyen, Change Order, 2024; Tarah Douglas, Untitled (come meridian and meridian come), 2024. Photograph by Filip Wolak

Art gallery with a pillar covered in mixed media art, a fabric piece on the wooden floor, and large windows letting in natural light.

Two framed photographs on a wall: one of a woman sitting on a bed in a bedroom, and another of a group of people standing on a house balcony.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Jennifer Teresa Villanueva, Mi mamá buscando entre sus documentos / My mother looking through her paperwork, 2023; Jennifer Teresa Villanueva, Día de la Independencia / Independence Day, 2022. Photograph by Filip Wolak

Art gallery with wooden floors, white walls, and various artworks displayed, including paintings and a mixed media piece. Bright overhead lighting.

Installation view of At Odds With: Whitney ISP 23/24 Studio Exhibition (Westbeth Gallery, New York, May 9-May 24, 2024). From left to right: Kimi Hanauer, there / is / only / now, 2024; Tarah Douglas, Forge, 2024; Tarah Douglas, Could Cause You to Remain or, 2024; Tarah Douglas, Forgo Marrow, 2024; Alison Nguyen, Change Order, 2024; Tarah Douglas, Untitled (come meridian and meridian come), 2024; Ella den Elzen, Razzle dazzle, 2024; Daniel Ramos, One segment from La Casa de La Señora Manuelita Capetillo en La Calle Barcelona, Colonia España, 2024; Jennifer Teresa Villanueva, Mi mamá buscando entre sus documentos / My mother looking through her paperwork, 2023; Jennifer Teresa Villanueva, Día de la Independencia / Independence Day, 2022. Photograph by Filip Wolak

Generous support for the Independent Study Program is provided by Joanne Leonhardt Cassullo, the Elaine Graham Weitzen Foundation for Fine Art, the Dorothea L. Leonhardt Foundation, the Helena Rubinstein Foundation, and Diane and Robert Moss.

Significant support is provided by The Capital Group Charitable Foundation, Margaret Morgan and Wesley Phoa, Gloria H. Spivak, and the Whitney Contemporaries through their annual Art Party benefit.