“A great deal of the sculpture on view [. . .] looks sufficiently ephemeral to suggest Christmas decorations, and possibly serves the function of attracting customers by creating a festive atmosphere.” —The New York Times
Learn more about the Whitney Biennial, the longest-running survey of
American art.
Installation photography
Installation view of the 1964 Annual Exhibition of Contemporary American Sculpture (Whitney Museum of American Art, New York, December 9, 1964–January 31, 1965). From left to right: David Weintrib, Three Aerial Forms; Theodore Roszak, American Monarch; William Tarr, Untitled. Photograph by Geoffrey Clements