1957 Annual Exhibition: Sculpture, Paintings, Watercolors
Nov 20, 1957–Jan 12, 1958
View the full exhibition catalogue at the Internet Archive.
Artists
- Josef Albers
- Calvin Albert
- Ivan Le Lorraine Albright
- Alexander Archipenko
- David Aronson
- Milton Avery
- Peggy Bacon
- Will Barnet
- Leonard Baskin
- William Baziotes
- Rosemarie Beck
- Isabel Bishop
- Alfred Blaustein
- Ilya Bolotowsky
- Louise Bourgeois
- Gandy Brodie
- James Brooks
- Carlyle Brown
- Charles Burchfield
- Paul Burlin
- Doris Caesar
- Charles Cajori
- Lawrence Calcagno
- Alexander Calder
- Kenneth Callahan
- Mary Callery
- Victor Candell
- Nicolas Carone
- William Chaiken
- Edward Chavez
- William Congdon
- Joseph Cornell
- Richard Crist
- Bruce Currie
- Lily Cushing
- Stuart Davis
- José de Creeft
- Adolf Dehn
- Koren Der Harootian
- José de Rivera
- Enrico Donati
- Jimmy Ernst
- Philip Evergood
- Yonia Fain
- Herbert Ferber
- Keith Finch
- Sam Francis
- Jack Frankfurter
- Jared French
- Lee Gatch
- Edward Giobbi
- Fritz Glarner
- Michael Goldberg
- Milton Goldring
- Robert Goodnough
- Sidney Gordin
- Adolph Gottlieb
- Morris Graves
- Dorothea Greenbaum
- Balcomb Greene
- Stephen Greene
- Peter Grippe
- Chaim Gross
- Philip Guston
- Robert Gwathmey
- Raoul Hague
- David Hare
- Minna Harkavy
- Grace Hartigan
- Milton Hebald
- John Heliker
- Hans Hofmann
- Carl Holty
- John Hultberg
- Robert Irwin
- Wolf Kahn
- Herbert Kallem
- Herbert Katzman
- William Kienbusch
- Dong Kingman
- William King
- Jonah Kinigstein
- Jules Kirschenbaum
- Franz Kline
- Karl Knaths
- Lee Krasner
- Lawrence Kupferman
- Edward Laning
- Ibram Lassaw
- Jacob Lawrence
- Pietro Lazzari
- Rico Lebrun
- Barbara Lekberg
- Alfred Leslie
- John Levee
- Julian Levi
- Jack Levine
- Si Lewen
- Jacques Lipchitz
- Seymour Lipton
- Eugene Ludins
- Loren MacIver
- Ethel Magafan
- Oronzio Maldarelli
- Conrad Marca-Relli
- Fletcher Martin
- Gerald McLaughlin
- George McNeil
- Zygmunt Menkes
- Edward Millman
- Joan Mitchell
- Randall Morgan
- Carl Morris
- George L. K. Morris
- Kyle Morris
- Robert Motherwell
- Jan Muller
- Walter Murch
- Louise Nevelson
- Juan Nickford
- Henry Niese
- Kenzo Okada
- Georgia O'Keeffe
- Charles Oscar
- Alfonso Ossorio
- Arthur Osver
- Stephen Pace
- William Pachner
- William C. Palmer
- Betty Parsons
- I. Rice Pereira
- Bernard Perlin
- Blanche Phillips
- Marianna Pineda
- Walter Plate
- Anne Poor
- Richard Pousette-Dart
- Gregorio Prestopino
- Abraham Rattner
- Anton Refregier
- Ad Reinhardt
- Milton Resnick
- Jeanne Reynal
- Larry Rivers
- Hugo Robus
- Umberto Romano
- Theodore Roszak
- Kay Sage
- Day Schnabel
- Henry Schnakenberg
- Karl Schrag
- Charles Schucker
- Jon Schueler
- Ethel Schwabacher
- Charles Seliger
- Kurt Seligmann
- Ben Shahn
- Charles Sheeler
- Manfred Shwartz
- Mitchell Siporin
- Raphael Soyer
- Theodoros Stamos
- Richard Stankiewicz
- Joe Stefanelli
- Hedda Sterne
- Sahl Swarz
- William Thon
- Mark Tobey
- Margaret Tomkins
- George Tooker
- Harold Tovish
- Stanley Twardowicz
- Jack Tworkov
- Polygnotos Vagis
- Alfred Van Loen
- Robert Vickrey
- David von Schlegell
- Charmion von Wiegand
- Max Weber
- Elbert Weinberg
- John Wilde
- Walter Williams
- Jack Wolfe
- Andrew Wyeth
- Karl Zerbe
- William Zorach
In the News
“While there is as always sterling work both in abstract and representational fields in the Whitney show, there also are some canvases making a dubious contribution—either because they have little to offer beyond size and initial impact, or because they offer little except experiment in sheer technique, or because they are just too much like a great deal that has been seen before . . .” —The New York Times
“The increase [in size of the exhibition], however, is limited [. . .] to size rather than to quality in general; for while there are, as usual, some fine things in the show, the dominant extreme abstract work in the painting section presents little that is new, sensitive, sure and much that is too much alike, over-large, brash and tending toward mere decorative use of color.” —The New York Times
More from this series
Learn more about the Whitney Biennial, the longest-running survey of American art.