1941 Annual Exhibition of Paintings by Artists Under Forty
Nov 12–Dec 30, 1941
Cover for 1941 Annual Exhibition of Paintings by American Artists Under 40 catalogue
View the full exhibition catalogue at the Internet Archive.
Artists
- Laurence Adams
- Marianne Appel
- Edmund Archer
- Darrel Austin
- Isabel Bate
- Cecil C. Bell
- Julien Binford
- Isabel Bishop
- Harold Black
- Peter Blume
- Aaron Bohrod
- Raymond Breinin
- Audrey Buller
- Paul Cadmus
- Clarence Holbrook Carter
- Federico Castellón
- Daniel R. Celentano
- Paul Lewis Clemens
- Lucille Corcos
- Gladys Rockmore Davis
- Lew E. Davis
- Horace Day
- John Stockton deMartelly
- Angelo Di Benedetto
- Harry Dix
- Yvonne Du Bois
- Stuart Edie
- Emlen Etting
- Philip Evergood
- Dean Fausett
- Tully Filmus
- Karl E. Fortess
- David Fredenthal
- Don Freeman
- Jared French
- Oronzo Gasparo
- Lloyd Lozes Goff
- Arshile Gorky
- Douglas W. Gorsline
- Adolph Gottlieb
- Balcomb Greene
- Marion Greenwood
- Louis Guglielmi
- James Guy
- Robert Gwathmey
- Frederick Haucke
- John Heliker
- Joseph Hirsch
- Peter Hurd
- Lee Jackson
- Joe Jones
- Mervin Jules
- Walt Killam
- John Koch
- Edward Laning
- Doris Lee
- Jack Levine
- Erle Loran
- Luigi Lucioni
- George Marinko
- Fletcher Martin
- John McCrady
- Felicia Meyer
- Edward Millman
- George L. K. Morris
- William C. Palmer
- Phil Paradise
- Alzira Peirce
- Gregorio Prestopino
- Walter Quirt
- Charles W. Rain
- Anton Refregier
- Louis Ribak
- Andrée Ruellan
- Louis Schanker
- Saul Schary
- Max Schnitzler
- Georges Schreiber
- Symeon Shimin
- Mitchell Siporin
- Lawrence Beal Smith
- Isaac Soyer
- Everett Spruce
- Harry Sternberg
- Reuben Tam
- James B. Turnbull
- Paul Ullman
- Margit Varga
- Esther Williams
- Reginald Wilson
- Andrew Wyeth
- Edmund Yaghjian
- Karl Zerbe
In the News
“Youngsters? No, after all, an artist is not necessarily still immature at 40 or even 30. But we associate exuberance with youth, and there is enough framed exuberance in this show to blow up the building.” —The New York Times
“. . . the keynote of the exhibition seems to be a kind of adventurous, often experimental, freshness.” —The New York Times
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