Reimagining History: Dawoud Bey in conversation with Jason Moran and Sarah Broom
Wed, May 12, 2021
6 pm
Dawoud Bey, Maxine Adams and Amelia Maxwell, Birmingham, AL, from The Birmingham Project, 2012. Pigmented inkjet prints, 40 × 32 in. each (101.6 × 81.3 cm each). Rennie Collection, Vancouver. © Dawoud Bey
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On the occasion of the exhibition Dawoud Bey: An American Project, this conversation brings Dawoud Bey together with artist and musician Jason Moran and writer Sarah M. Broom to discuss their shared interest in specific histories and shared memories as the ground for their respective practices.
Inspired by Bey’s The Birmingham Project (2012)—a tribute to the victims of the 16th Street Baptist Church bombing in Birmingham, AL, in 1963—and Night Coming Tenderly, Black (2019), which imagines the flight of enslaved Black Americans along the final leg of the Underground Railroad, the three speakers reflect on how an artwork can become an act of commemoration and radical reinvention.
Jason Moran is an interdisciplinary artist, musician, and composer who draws on and celebrates the history of Black music and musicians such as James Reese Europe, Thelonious Monk, and Fats Waller, among others.
Sarah M. Broom is the author of The Yellow House, a memoir that weaves the story of her family in New Orleans across multiple generations.
