Media and Modernity Select Fridays, 2018

Media and Modernity

Select Fridays
2018

A software panel on a white board.
A software panel on a white board.

John F. Simon Jr., Color Panel v1.0, 1999. Software, altered Apple Macintosh Powerbook 280c, and plastic, 13 1/2 x 10 1/2 x 3 in. (34.3 x 26.7 x 7.6 cm). Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 99.88a-c. © 1999 John F. Simon Jr.

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Floor 7

Join us for a closer look at artistic responses to a rapidly changing media landscape. This thematic tour will examine how media has both reflected and shaped life over the past century. Where We Are: Selections from the Whitney's Collection, 1900–1960 and Programmed: Rules, Codes, and Choreographies in Art, 1965–2018, explore how the expansion of media from the early 20th century to the present have impacted how we understand and communicate meaning itself.

November 2
7:30 pm

December 7
7:30 pm

January 4
7:30 pm

February 1
7:30 pm

March 1
7:30 pm

April 12
7:30 pm

Ayanna Dozier is a PhD Candidate in Art History & Communication and Women & Gender Studies at McGill University, a Fellow in the Whitney Independent Studies Program, and a lecturer at Fordham University. Her dissertation, entitled The Aberrations of Affect: Archives, Ritual, and the Counter-Poetics of Black Women’s Experimental Short Films (1970s-Present), examines the formal and narrative aesthetics in the work of Black women filmmakers and her writings as a cultural theorist can be found in numerous journals of art and cultural theory.

Free with Museum admission—save time and buy your admission ticket online in advance.


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.