Art History from Home: / Los Tres Grandes and American Art Thurs, Oct 15, 2020, 12 pm

Art History from Home:
Los Tres Grandes and American Art

Thurs, Oct 15, 2020
12 pm

A photo of a mural depicting a tortured-looking man.
A photo of a mural depicting a tortured-looking man.

José Clemente Orozco, Prometheus, 1930. Fresco, 20 ft. × 28 ft. 6 in. (6.1 × 8.7 m). Pomona College, Claremont, California. © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City

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This event will have automated closed captions through Zoom. Live captioning is available for public programs and events upon request with seven business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.

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Online, via Zoom

The Mexican avant-garde that emerged after the country’s revolution galvanized artists in the United States who were seeking to break free of European aesthetic domination. Many American artists traveled to Mexico, and the leading Mexican muralists—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—spent extended periods of time in the United States, executing murals, paintings, and prints; exhibiting their work; and interacting with local artists. The session will explore the trajectories of influence that these three artists—known as los tres grandes—had in the U.S.

Josh Lubin-Levy is a Joan Tisch Senior Teaching Fellow at the Whitney and recently completed his Ph.D. in Performance Studies at NYU. For the past ten years, Lubin-Levy has worked as a dance dramaturg and performance curator. He currently teaches in the department of Visual Studies at the New School. 


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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